泉州清源山導遊詞（精選15篇）

泉州清源山導遊詞（精選15篇）

清源山風景名勝區是我國曆史文化名城泉州市的重要組成部分。是國務院公佈的國家重點風景名勝區。它地處福建省東南部，晉江下游東北岸，位於東經l18度30'-118度37'，北緯24度54'-25度O'之間;與發展中的泉州市區三面接壤。距廈門市106公里，福州市196公里。

清源山自然景色秀麗，人文景觀繪萃，尤以山上泉眼諸多別稱“泉山”，因山高入雲稱“齊雲山”。位於城市北郊又稱“北山”，山上有三峯亦稱“三臺山”。據《泉州府志》記載，清源山最早開發於秦代，中興於唐代，宋元時期最爲鼎盛。經過了歷代開發，山上留下了大量文物古蹟現存完好的有宋、元時期石雕造像7處9尊，歷代摩崖石刻近600多方，元、明兩代花崗岩仿木結構的石室多處。最負盛名的宋代老君造像，系全國最大的、藝術價值最高的道教石雕;九日山祈風石刻，是研究我國古代海外交通史和書法藝術的珍貴資料;唐武德年間，穆罕默德門徒三賢、四賢來泉州傳教，歿葬於靈山，稱伊斯蘭聖墓。其旁有鄭和第五次下西洋的“行香碑”，爲我國海外交通的重要史蹟。

清源山風景名勝區屬花崗岩地貌的山地丘陵，地勢起伏、岩石突兀，主景區最高海拔498米。地質結構是通過多次構造運動和巖體侵人所形成的，巖體外部呈黑褐色，岩層節理不發達，成土因質以坡積物居多，土壤爲溫潤型;年平均氣溫17度-21.3度C之間,年平均降水量在1202-1550毫米之間，全年無霜期358天;清源山冬暖夏涼，氣候溫暖溼潤，一年四季均適宜觀光旅遊。

各位旅客朋友：

大家好!歡迎大家來到有“秀出東南”之美譽的清源山觀光旅遊。我是春暉旅行社的導遊，我姓楊，大家可以叫我小楊。在我旁邊的這位是我們的司機陳師傅，他有多年的駕車經驗，相信我們會有一段愉快而又舒適的旅程。很高興今天由我們來爲大家服務，在這裏我先預祝大家旅途愉快。由於時間的限制，我們今天參觀的景點是老君巖和清源山第一洞，希望大家玩得開心遊的盡興!

大家請看，清源山是多麼的雄偉壯觀啊!整個景區是由清源山、九日山、靈山聖墓三大片組成，總面積六十二平方公里。清源山景區方圓有四十華里，主峯海拔498米，是泉州城一顆璀璨的明珠。大家知道我們清源山爲什麼如此出名嗎?古人云：山不在高，有仙則名。清源山也正是借仙而出名的。

傳說當年鐵柺李雲遊到此地的時候，看到這裏的景色如此的美麗，樂得他舉起了柺杖不停地點地，大呼：妙哉!妙哉!沒想到用力過猛，鐵杖深入地層數丈，突然就冒出一股清泉，噴射不止。因此，當時第一個發現此泉的人，就把此山命名爲“泉山”。此城也因此得名“泉州”。後來有人在泉字上做文章，把山名衍化爲“清源山”。山高人云又名“齊雲山”;又因地處泉州市北郊又稱“北山”;也因山峯鼎峙，又稱“三臺山”。

清源山景區內流泉飛瀑、奇巖異洞、峯巒疊翠、萬木競秀，以宗教寺廟宮觀、文人書院石寶以及石雕石構石刻等文物爲主的人文景觀幾乎遍佈清源山的每個角落，現存完好的宋、元時期道教、佛教大型石雕共7處9尊，歷代摩崖石刻近500方，元、明、清三代花崗岩仿木結構佛像石室3處，以及近代高憎弘一法師(李叔同)舍利塔和廣欽法師塔院。自古以來，清源山就以36洞天，18勝景聞名於世，今天我們時間有限，無法飽覽清源山的神韻，只能讓大家留點遺憾下次再來。

好的，現在請大家隨我往前走，先去參觀--老君巖。

大家現在看到的是老君巖的山門，這座山門是以牌坊的形式建立的，高12.6米，寬21米。山門頂端有四個雲紋望柱頭，正中頂部嵌有菱形藍寶石燈飾，象徵清源山爲古城明珠，中國名山。而眼前這曲尺型的上下兩級平臺，是陰陽太極八卦的變型圖案，正前聳立的這方天然石頭上鐫刻着“青牛西去，紫氣東來”八個字，還有這石構山門，充滿了山野氣息，把老子“崇尚自然”的思想烘托得淋漓盡致，使人有種進入物外仙境的感覺。

沿着這條幽靜的林蔭石徑往前，植物界巨人一榕樹分立兩側，氣派非凡。那一叢叢既密又長的樹根，有如老子的長髯，昭示出老子的思想“天長地久“，無限生機。

各位朋友，現在，展現在我們面前的這尊石雕，就是有“老子天下第一”美譽的老君造像。老君造像被列爲全國重點保護文物，是我國道教石刻中獨一無二的藝術瑰寶。它刻於宋代，石像高5.63米，厚6.85米，寬8.01米，佔地面積55平方米。由於它是我國現存最大，雕技最絕，年代最久的道教石雕造像，因此文史界人士戲稱它爲“老子天下第一”。倒也名符其實。生動逼真的造型，精美傳神的韻味，誇張寫意的.線條，質樸淳厚的內涵，天人合一的意境，使這尊老君石像顯得格外親切可愛，充滿令人心馳神往、百看不厭的魅力。而最令人喜愛和讚歎的是，石刻老君的神態和藹可親，目光深邃而睿智，滿臉笑容，豁達大度，平易近人，充滿了一種溫馨的人情味，一點也沒有道貌岸然、威嚴凌厲神仙架勢。同時，這尊老子石像還是健康長壽的象徵。泉州有句方言：“摸到鼻，吃百二;摸到目，吃百六。”這是用我們閩南的方言講的。意思是說，誰能摸到老君的鼻子，可以活上一百二，摸到眼睛呢，可以活上一百六。大家有興趣可以去摸摸看。

各位朋友，我們今天的清源山之旅就到此結束了。大家知道清源山佳景遍佈，我們今天所見僅僅是鳳毛麟角，但希望通過我的介紹後，能讓各位對清源山留下美好的印象，能引發您寄意山水，重遊故地之情!

最後，謝謝大家的配合，願有機會再和各位朋友相聚!

清源山風景名勝區是我國曆史文化名城泉州市的重要組成部分。是國務院公佈的國家重點風景名勝區。它地處福建省東南部，晉江下游東北岸，位於東經l18度30'-118度37'，北緯24度54'-25度O'之間;與發展中的泉州市區三面接壤。距廈門市106公里，福州市196公里。

清源山自然景色秀麗，人文景觀繪萃，尤以山上泉眼諸多別稱“泉山”，因山高入雲稱“齊雲山”。位於城市北郊又稱“北山”，山上有三峯亦稱“三臺山”。據《泉州府志》記載，清源山最早開發於秦代，中興於唐代，宋元時期最爲鼎盛。經過了歷代開發，山上留下了大量文物古蹟現存完好的有宋、元時期石雕造像7處9尊，歷代摩崖石刻近600多方，元、明兩代花崗岩仿木結構的石室多處。最負盛名的宋代老君造像，系全國最大的、藝術價值最高的道教石雕;九日山祈風石刻，是研究我國古代海外交通史和書法藝術的珍貴資料;唐武德年間，穆罕默德門徒三賢、四賢來泉州傳教，歿葬於靈山，稱伊斯蘭聖墓。其旁有鄭和第五次下西洋的“行香碑”，爲我國海外交通的重要史蹟。

清源山風景名勝區屬花崗岩地貌的山地丘陵，地勢起伏、岩石突兀，主景區最高海拔498米。地質結構是通過多次構造運動和巖體侵人所形成的，巖體外部呈黑褐色，岩層節理不發達，成土因質以坡積物居多，土壤爲溫潤型;年平均氣溫17度-21.3度C之間,年平均降水量在1202-1550毫米之間，全年無霜期358天;清源山冬暖夏涼，氣候溫暖溼潤，一年四季均適宜觀光旅遊。

清源山又名北山、泉山、齊雲山，爲泉州城北屏障，海拔498公尺，面積62平方公里，主景區距泉州城市區3公里。“清源之奇以石”，清源之靈以泉。元人讚譽“閩海蓬萊第一山”.“清源鼎峙”爲泉州十景之一，歷來爲遊客登臨攬勝。1988年列爲國家風景名勝區。

清源山右峯峻峭，中峯巍峨，左峯迤邐。層巒疊嶂，壑深洞幽，曾以三十六洞天名其精華景物，如老君巖、千手巖、彌陀巖、碧霄巖、瑞象巖、賜恩巖、五臺巖、南臺巖、龜巖、獅巖、蛻巖和清源洞尚保存原貌;巢雲巖、寒山岩、紫澤洞尚有遺蹟。這些巖洞，或妙景天成，或人工雕造，都各具特色，各臻其美。其主要有：老君巖，位於左峯羅山、武山下，宋代天然岩石雕成的老君坐像，高5.1公尺，造型生動、刻工精巧，是我國現在最大道教石雕像，國家級重點文物保護單位。

彌陀巖，位於左峯山腰“一嘯臺”上。元至正二十四年(1364年)依石壁建仿木構石室，面寬5.6公尺，門額刻“阿彌

陀佛”。室後壁巖面浮雕阿彌陀佛立像，高5公尺，爲省重點文物保護單位。巖外有“一線天”、“雲臺”、“連心石”、“泉窟觀瀑”、“泓一法師舍利塔”等景觀。

碧霄巖，位於彌陀巖東南方，建於元至元二十七年(1290年)原有石構建築，已廢。巖壁上浮雕三世尊坐像，爲省重點文物保護單位。巖上方爲上碧霄，有平臺，崖刻“壽”字，4公尺見方。從臺灣迎回的廣欽法師的靈骨也埋在碧霄巖邊，並建石塔，以供瞻仰。

瑞像巖，位於碧霄巖東側，北宋元右二年(1086年)依天柱峯山石雕刻“釋迦瑞像”立姿，高4.4米。明成化十九年(1483年)建仿木構石室。該巖爲省重點文物保護單位。巖外

奇石扦天，千姿百態。峭壁間有“忘歸”、“北門勝概”崖刻。巖室對面爲羅漢峯，斷巖側立，形如羅漢，構成十八羅漢朝瑞像奇觀。

此外，千手巖的釋迦牟尼造像，賜恩巖的白衣觀音造像，均雕於北宋元右年間，具有很高的歷史、藝術價值。 清源山的泉有一百多眼。著名的叫“孔泉”，也稱“虎浮泉”，泉從一斜臥大山石孔隙中迸出，細流清清，常流不絕。清源、泉山因此得名。彌陀巖側的“泉窟觀瀑”。在雨季有“虹雨千層吹不斷，琉璃萬斛涌還多”的景象;而在旱季，則凝脂潛滴，須待上方水庫放閘，人工造瀑。

歷代文士、武將、高僧、權貴遊山，留下400方碑刻和崖刻。北宋米芾的“第一山”，明將俞大猷的“君恩山重”，現代高僧泓一法師遺墨“悲欣交集”，備受景仰。曾在清源山上結廬讀書而成就頗豐有唐代的歐陽詹、林蘊、林藻，明代的李光縉、王慎中、顧碧等。在清源山修行和羽化道長、高僧不乏其人。清源山流傳無數的典故、傳說、神話等等，使名山更具深刻的文化內涵。

各位朋友，大家好!很高興今天有機會和大家一起去登山，去共同領略有“秀出東南”美譽的清源山秀麗而多姿的風采!由於時間所限，我們今天參觀的景點依次是老君巖、千手巖、彌陀巖，希望大家玩得開心盡興!

清源山是國家級重點風景名勝區，由清源山、九日山、靈山聖墓三大片區組成，總面積六十二平方公里。清源山景區方圓有四十華里，主峯海拔498米，與泉州市山城相依，相互輝映，猶如名城泉州的一顆璀璨明珠，閃爍着耀眼的光芒，吸引了衆多的海外遊客。清源山歷史上因泉眼諸多亦名“泉山”，城因山得名“泉州”;山高人云又名“齊雲山”;位於市區北郊又稱“北山”;因山峯鼎峙，故又稱“三臺山”。據泉州府志記載，清源山最早開發於秦代，唐代“儒、道、釋”三家競相佔地經營，兼有伊斯蘭教、摩尼教、印度教的活動蹤跡，逐步發展爲多種宗教兼容幷蓄的文化名山。景區內流泉飛瀑、奇巖異洞、峯巒疊翠、萬木競秀，以宗教寺廟宮觀、文人書院石寶以及石雕石構石刻等文物爲主的人文景觀幾乎遍佈清源山的每個角落，現存完好的宋、元時期道教、佛教大型石雕共7處9尊，歷代摩崖石刻近500方，元、明、清三代花崗岩仿木結構佛像石室3處，以及近代高憎弘一法師(李叔同)舍利塔和廣欽法師塔院。自古以來，清源山就以36洞天，18勝景聞名於世，其中尤以老君巖、千手巖、彌陀巖、碧霄巖、瑞象巖、虎乳泉、南臺巖、清源洞、賜恩巖等爲勝，今天我們時間有限，無法飽覽清源山的神韻，只能讓大家留點遺憾去回味，或可以從我們有關的旅遊宣傳資料中去神遊一番了。

好，現在我們參觀第一站--老君巖。

老君巖的佈局是這樣的：山門--林蔭石徑--老君造像。

大家現在站的地方爲老君巖的山門，請大家注意，眼前這曲尺型的上下兩級平臺，是陰陽太極八卦的變型圖案，正前聳立的這方天然石頭上鐫刻着“青牛西去，紫氣東來”八個篆字，還有這幢以盤根錯節爲窗飾掛落的石構山門，充滿了山野氣息，把老子“崇尚自然”的思想烘托得淋漓盡致，令人有進入物外仙境的快意之感。

沿着這條幽靜的林蔭石徑往前，植物界巨人一榕樹分立兩側，氣派非凡。那一叢叢既密又長的樹根，有如老子的長髯，昭示出老子的思想“天長地久“，無限生機。

各位朋友，現在，展現在我們面前的這尊石雕，就是有真正“老子天下第一“美譽的老君造像。者君造像被列爲全國重點保護文物，是我國道教石刻中獨一無二的藝術瑰寶。它刻於宋代，歷經千年風雨滄桑，依然栩翎如生，神采奕奕。據清代乾隆年間編纂的《泉州府志》記載：“石像天成，好事者略施雕琢。”說明它是一塊形狀肖似老翁的天然巨巖，是巧奪天工的民間工匠略施技藝，把它雕刻成春秋時期著名哲學家、思想家、道教開山鼻祖老子的坐像。漢代著名史學家司馬遷在《史記.老子韓非列傳》中記述“老子姓李氏，名耳，字伯陽，諡日聃。”故籍爲楚地苦縣歷鄉“曲仁里人”。老子的不朽之作《道德經》具有廣泛而深遠的影響，象我們常說的“福兮，禍之所伏;禍兮，福之所倚。”告誡人們禍福旦夕，都是相對的，不必爲此患得患失，有所得必有所失，任何時候，都應保持清醒的頭腦，不可被表象所迷惑，他的觀點，充滿了樸素的唯物主義思想。老君造像原先有一座高大的道觀圍護，規模宏偉的真君殿、北斗殿等道教建築頗爲壯觀，後來道觀被焚燬，老君巖便露天屹立，與大自然渾爲一體，它的健在，足以證實譽稱“世界宗教博物館”的泉州古城，在宋代的道教文化是十分發達興盛的。李老君騎着青牛出函谷關，悠悠然“由楚入閩”，大概是看中了“泉南佛國”這一風水寶地吧?!

現在讓我們來認真觀賞老君石雕坐像。石像高5.63米，厚6.85米，寬8.01米席地面積55平方米。由於它是我國現存最大，雕技最絕年代最久的道教石雕造像，因此文史界人士戲稱之爲“老子天下第一”倒也名符其實。生動逼真的造型，精美傳神的韻味，誇張寫意的線條，質樸淳厚的內涵，天人合一的意境，使這尊老君石像顯得格外親切可愛，充滿令人心馳神往、百看不厭的魅力。你看它席地而坐，左手扶膝，右手憑几，雙眼含笑，鬚眉皓然，真可謂“風過髯動，指能彈物”。嚴格他說，老君的耳朵和雙膝似乎不合比例，雙耳垂肩、膝大無比，但這誇張和變位卻恰到好處地讓人感到大丈夫的伸屈自如。而最令人喜愛和讚歎的是，石刻老君的神態和藹可親，目光深邃而睿智，滿臉笑容，豁達大度，平易近人，充滿了一種溫馨的人情味，一點也沒有道貌岸然、威嚴凌厲的神仙架勢。那襟懷坦蕩，笑口常開的神情，讓人感到可親、可近。在民間，這尊老子石像還是健康長壽的象徵。泉州有句方言：“摸到鼻，吃百二;摸到目，吃百六。”意思是說，誰能摸到老君的鼻子，可以活上一百二，摸到眼睛呢，可以活上一百六。當然，只有小娃娃纔會信以爲真。其實清源山空氣清新，又有山野之趣，常到此地，身心得益，不必摸到什麼鼻子眼睛，便可延年益壽了。

在親近了千年老人之後，此刻我們將進入“幽谷梵音”的意境區。現在大家看到的這座古樸自然的古寺即爲千手巖。

千手巖又名觀音寺，它是因爲供奉觀音像而得名。千手巖處在清源山的左峯，寺宇紅牆素瓦，顯得格外清新。大殿正中靠後供奉的是宋代石雕佛教創始人釋伽牟尼坐像，石像工藝精湛，維妙維肖，是清源山宋代石雕藝術佳作之一。石像前的千手千服觀音塑像慈眉善眼，神態極佳。兩旁壁上的十八羅漢畫像，神態各異，有呼之欲出之感。千手巖寺中常年暮鼓晨鐘，香火不絕，寺前蒼松翠柏，峯石磷峋，別有一番情趣。值得一提的是寺前這株已有300多年曆史的古鬆，不知大家是否瞧出了它的特別之處?你看它樹幹東西分成兩叉，正對寺廟大門，卻又不遮佛眼，與寺廟形成一個很美的夾角，令人稱奇。古鬆蒼勁挺拔，虯曲盤旋，像一位慈善爲懷的老者，張開雙臂，迎接四方賓客，因此，無怪乎黃山的客人觀摩了這棵古鬆後，讚歎它比黃山的“迎客鬆”還美，姿態更加熱情大度。

從千手巖往上攀緩十多分鐘，即到彌陀巖。彌陀巖可以說是清源山的精華之一，這裏有流泉飛瀑、古樹名木、廟宇石刻……自然景觀和人文景觀融爲一體，巧奪天工。我們來看這一處“泉窟觀瀑”。瞧，清澈的泉水從五十米高的陡壁上瀉落，在青石上飛珠濺玉，充滿了詩情畫意，把人間的凡塵俗念盪滌貽盡，歷代文人騷客每每至此，不免文思流溢，滿目的摩崖石刻，如“洗心”、“清如許”、“流膏”等題刻仍熠熠生輝，爲我們增加了觀賞雅興，不知大家是否有人生畫中游的美妙感受!

在瀑布旁的這一株由古榕和重陽木合抱成一體，造型奇特的附生樹，如情深意篤的“天侶”，故美其名曰：“天侶呈瑞”。看着它們如此親密無間，如膠似漆，令人既驚歎不已又不由得浮想聯翩，不少的文人墨客說它是陳三五娘留在故鄉土地上的化身。因此，這裏常有年輕的戀人，如意的夫婦相偎於此，留下充滿詩情畫意的紀念照。而僅隔幾步之遙的這棵濃蔭如蓋的大樹，相傳是700多年前施琅將軍的的部將從臺灣帶回故鄉栽種的“洋蒲桃“，俗稱“蓮霧”。每當收穫季節，樹上綠裏透紅，果實累累，形若斗笠，頂部尖、底部寬，吃起來清涼可口，別有風味。

再往上，過雲臺，穿“一線天”，便到了高築雲臺之上的彌陀岩石室，彌陀巖是第一批省級重點文物保護單位，始建於元至正二十四年(公元1364年)，仿木結構，平面近方形，背依石壁，面寬5.6公尺，歇山頂，正脊中間置一葫蘆，門上橫額書“阿彌陀佛”，柱頭及外檐用斗拱，巖內頂爲疊澀方形藻井，石壁巖面浮雕“阿彌陀佛”立像一尊，高5米，寬2米，造型端莊大方，面容豐滿，慈祥和善，頭結螺髻，足踏蓮花，左手平胸，右手下垂，據佛經上說，這是表示要滿足信徒的願望，接引衆生往極樂世界的意思。難怪這麼多善男信女，見了阿彌陀佛，都頂禮膜拜，虔誠備至。

右室右側有一方石碑《元代重修記事石碑》，這一方石碑記載了彌陀岩石室石刻的重修過程，而最有價值的則是碑文中出現的多處簡化字，是漢字簡化史不可多得的重要史料。寺前平臺叫“一嘯臺”，臺的左右各有3.5米高的5級實心佛塔一座。站在一嘯臺極目遠眺，晉水橫流，雙塔凌空，紅房碧野，景色妖嬈，使人心曠神治，留連忘返。

泉州具有宗教博物館之美譽，這在母親山--清源山體現得更爲突出。前面我們參觀了老君巖(道教)，千手巖、彌陀巖(佛教)，現在讓我們一起登上碧霄巖(喇嘛教)，去領略碧霄巖三世佛的風采吧。

三世佛並排結咖跌坐於仰覆蓮花座上，主像通高約2.5米，左右二像稍低。佛像保存完好，皆爲土蕃式樣：佛發螺鬢，上置寶嚴。面相上寬下窄，雙耳垂肩，肩寬腰細，均着袒右肩袈，並以架裟一角搭於左肩上。衣紋用凸雕線條表示，雖歷經滄桑而線條依然明顯。石像均有圓形頭光及身光。中尊爲釋迦像，又稱現在佛，主司現在的世界，其造像作觸地印之魔相，一手向下撫地，一手向上。左尊稱爲藥師佛，即過去佛，主管過去的世界。他也是一手向下，一手向上，只是左掌託鉢。右尊叫彌陀佛，是未來佛，作施定印之禪定相，即雙手交疊置於腹部。險要的地勢，精湛的技術和迥異的形狀，無不讓每一個參觀者嘖嘖稱奇。

三世佛是13世紀以來藏傳密教(俗稱喇嘛教)佛堂中所供奉的主要佛像。《元代畫塑記》上記載，元大都的藏式寺院中，三世佛皆供於“正殿”，是當時元朝信奉的主神。目前，這三世佛石刻經專家考證後認定爲：我國發現的現存時代最早、保存最好、位於最東南的梵式三世佛造像。南側20米處有一方石刻即記載三世佛刻於1292年，距今已有七百多年的歷史。

名碑奇石，密蔭幽澗，是碧霄巖的一大特點，以“三世佛”爲中心，南側有1991年所建的閩南民居風格的廣欽法師塔院建築羣體;於其背後，我們看到了這個很大的南宋摩崖楷書石刻“壽”字，字體高3.5米，寬3.15米，譽稱“閩中第一大‘壽’字”;旁邊是伏虎僧雕刻，下方則有清代名士留下的數方石刻。

俗話說：無限風光在頂峯，高處登臨，眼界頓覺開闊。清源洞、南臺巖這兩個景點可以說是我們今天抵達的最高峯，稱之爲“山海大觀”。清源洞作爲清源山第一洞，溶合泉州豐厚的歷史、文化和宗教積澱，具有很高的觀賞和學術價值。清源洞又名“純陽洞”、“蛻仙岩”。《泉州府志》稱：“清源洞尤其大而奇者”。宋紹興年間有裴姓道人在此蛻骨登仙，時人塑像供奉。裴道人何以在此羽化成仙?這是一個富有神祕色彩、流傳久遠的民間傳說，說的是裴道人爲民除害，追殺殘害生靈的巨蟒至清源洞，堵住洞口而蛻化。若問清源洞有多深?民間尚有“清源洞通洛陽江”的傳說。洞前有裴仙祠、觀音殿、文昌閣等三教祠宇森然並列交相輝映。還有一大批歷史名人紛至沓來留下無數勝蹟;李光縉、何喬遠、姜志禮、洪承疇、粘本盛、馬負書、施琅、……清源洞不僅具有深邃的歷史內涵和豐富的人文景觀，還有極爲壯觀優美的自然風光。現在讓我們領略此處的萬千氣象。這一帶山脈橫斷，峯巒起伏，層次變化極富規律;羣落豐富多彩，四季常青，具有亞熱帶雨林特徵，從中隨步可見歷盡風霜依然生機盎然的古樹名木。春夏之間山頂雲霧蒸騰，洞前亭閣縹緲。又因高居主峯，下臨無際，近景有山影倒映天湖，中景有古城盡收眼底，遠景有大海蒼茫，構成一幅絕妙的“山海大觀”意境圖。南臺巖則如“空中樓閣”，巨石高聳，視野曠遠，左挹大海，右帶金溪，晉水橫波，古城在抱，紫帽凌霄峙其前，東西兩塔拜其下，是“山海大觀”意境區中一處妙奪天工的奇景。同樣有釋、道、佛三教建築緊依絕壁而起，四周樹木蔥籠，亦是一處遊人登高遠眺之佳景。

朋友們，我們的遊程即將結束。大家知道清源山佳景遍佈，我們今天所見僅僅是鳳毛麟角，但我希望通過我的介紹，各位能對清源這座國家級名山留下美好的印象，能引發您寄意山水，重遊故地之情!

最後，謝謝大家的配合，願有機會再和各位朋友相聚!

各位朋友，大家好!很高興今天有機會和大家一起去登山，去共同領略有“秀出東南”美譽的清源山秀麗而多姿的風采!由於時間所限，我們今天參觀的景點依次是老君巖、千手巖、彌陀巖，希望大家玩得開心盡興!

清源山是國家級重點風景名勝區，由清源山、九日山、靈山聖墓三大片區組成，總面積六十二平方公里。清源山景區方圓有四十華里，主峯海拔498米，與泉州市山城相依，相互輝映，猶如名城泉州的一顆璀璨明珠，閃爍着耀眼的光芒，吸引了衆多的海外遊客。清源山歷史上因泉眼諸多亦名“泉山”，城因山得名“泉州”;山高人云又名“齊雲山”;位於市區北郊又稱“北山”;因山峯鼎峙，故又稱“三臺山”。據泉州府志記載，清源山最早開發於秦代，唐代“儒、道、釋”三家競相佔地經營，兼有伊斯蘭教、摩尼教、印度教的活動蹤跡，逐步發展爲多種宗教兼容幷蓄的文化名山。景區內流泉飛瀑、奇巖異洞、峯巒疊翠、萬木競秀，以宗教寺廟宮觀、文人書院石寶以及石雕石構石刻等文物爲主的人文景觀幾乎遍佈清源山的每個角落，現存完好的宋、元時期道教、佛教大型石雕共7處9尊，歷代摩崖石刻近500方，元、明、清三代花崗岩仿木結構佛像石室3處，以及近代高憎弘一法師(李叔同)舍利塔和廣欽法師塔院。自古以來，清源山就以36洞天，18勝景聞名於世，其中尤以老君巖、千手巖、彌陀巖、碧霄巖、瑞象巖、虎乳泉、南臺巖、清源洞、賜恩巖等爲勝，今天我們時間有限，無法飽覽清源山的神韻，只能讓大家留點遺憾去回味，或可以從我們有關的旅遊宣傳資料中去神遊一番了。

好，現在我們參觀第一站--老君巖。

老君巖的佈局是這樣的：山門--林蔭石徑--老君造像。

大家現在站的地方爲老君巖的山門，請大家注意，眼前這曲尺型的上下兩級平臺，是陰陽太極八卦的變型圖案，正前聳立的這方天然石頭上鐫刻着“青牛西去，紫氣東來”八個篆字，還有這幢以盤根錯節爲窗飾掛落的石構山門，充滿了山野氣息，把老子“崇尚自然”的思想烘托得淋漓盡致，令人有進入物外仙境的快意之感。

沿着這條幽靜的林蔭石徑往前，植物界巨人一榕樹分立兩側，氣派非凡。那一叢叢既密又長的樹根，有如老子的長髯，昭示出老子的思想“天長地久“，無限生機。

各位朋友，現在，展現在我們面前的這尊石雕，就是有真正“老子天下第一“美譽的老君造像。者君造像被列爲全國重點保護文物，是我國道教石刻中獨一無二的藝術瑰寶。它刻於宋代，歷經千年風雨滄桑，依然栩翎如生，神采奕奕。據清代乾隆年間編纂的《泉州府志》記載：“石像天成，好事者略施雕琢。”說明它是一塊形狀肖似老翁的天然巨巖，是巧奪天工的民間工匠略施技藝，把它雕刻成春秋時期著名哲學家、思想家、道教開山鼻祖老子的坐像。漢代著名史學家司馬遷在《史記.老子韓非列傳》中記述“老子姓李氏，名耳，字伯陽，諡日聃。”故籍爲楚地苦縣歷鄉“曲仁里人”。老子的.不朽之作《道德經》具有廣泛而深遠的影響，象我們常說的“福兮，禍之所伏;禍兮，福之所倚。”告誡人們禍福旦夕，都是相對的，不必爲此患得患失，有所得必有所失，任何時候，都應保持清醒的頭腦，不可被表象所迷惑，他的觀點，充滿了樸素的唯物主義思想。老君造像原先有一座高大的道觀圍護，規模宏偉的真君殿、北斗殿等道教建築頗爲壯觀，後來道觀被焚燬，老君巖便露天屹立，與大自然渾爲一體，它的健在，足以證實譽稱“世界宗教博物館”的泉州古城，在宋代的道教文化是十分發達興盛的。李老君騎着青牛出函谷關，悠悠然“由楚入閩”，大概是看中了“泉南佛國”這一風水寶地吧?!

現在讓我們來認真觀賞老君石雕坐像。石像高5.63米，厚6.85米，寬8.01米席地面積55平方米。由於它是我國現存最大，雕技最絕年代最久的道教石雕造像，因此文史界人士戲稱之爲“老子天下第一”倒也名符其實。生動逼真的造型，精美傳神的韻味，誇張寫意的線條，質樸淳厚的內涵，天人合一的意境，使這尊老君石像顯得格外親切可愛，充滿令人心馳神往、百看不厭的魅力。你看它席地而坐，左手扶膝，右手憑几，雙眼含笑，鬚眉皓然，真可謂“風過髯動，指能彈物”。嚴格他說，老君的耳朵和雙膝似乎不合比例，雙耳垂肩、膝大無比，但這誇張和變位卻恰到好處地讓人感到大丈夫的伸屈自如。而最令人喜愛和讚歎的是，石刻老君的神態和藹可親，目光深邃而睿智，滿臉笑容，豁達大度，平易近人，充滿了一種溫馨的人情味，一點也沒有道貌岸然、威嚴凌厲的神仙架勢。那襟懷坦蕩，笑口常開的神情，讓人感到可親、可近。在民間，這尊老子石像還是健康長壽的象徵。泉州有句方言：“摸到鼻，吃百二;摸到目，吃百六。”意思是說，誰能摸到老君的鼻子，可以活上一百二，摸到眼睛呢，可以活上一百六。當然，只有小娃娃纔會信以爲真。其實清源山空氣清新，又有山野之趣，常到此地，身心得益，不必摸到什麼鼻子眼睛，便可延年益壽了。

在親近了千年老人之後，此刻我們將進入“幽谷梵音”的意境區。

Hello, fellow passengers! Welcome to Qingyuan mountain, which has thereputation of "showing the Southeast". I'm a tour guide of __ travel agency. Mysurname is Guo. You can call me Xiao Guo. I'm very glad to serve you today. Iwish you a pleasant journey. Due to time constraints, we are visiting laojunyanand the first cave of Qingyuan mountain today. I hope you have a good time andhave a good time!

Please see how magnificent Qingyuan mountain is! The whole scenic area iscomposed of Qingyuan mountain, jiuri mountain and Lingshan holy tomb, with atotal area of 62 square kilometers. Qingyuan mountain scenic area has a radiusof 40 Li, the main peak is 498 meters above sea level, is a bright pearl ofQuanzhou City. Do you know why Qingyuan mountain is so famous?

The ancients said: the mountain is not high, there is a fairy yuan mountain is also famous for its immortals. It's said that when Li Yun,the iron crutch, came here, he was so happy to see the beautiful scenery that heraised his crutch and cried out: "wonderful! Wonderful! I didn't expect that theforce was too strong, and the iron rod went deep into the stratum for severalfeet. Suddenly, a spring came out, and the jet continued. Therefore, the firstperson who discovered the spring at that time named the mountain "Quanshan" city is also named "Quanzhou". Later, someone wrote an article on thecharacter "Quan" and changed the name of mountain into "Qingyuan mountain". Itis also called "North Mountain" because it is located in the northern suburb ofQuanzhou City. It is also called "Santai mountain" because of the confrontationof peaks.

In Qingyuan mountain scenic area, there are flowing springs and waterfalls,grotesque rocks and caves, emerald peaks and beautiful trees. The culturallandscape mainly consists of religious temples and palaces, stone treasures ofliterati academy, stone carvings and other cultural relics, which are almost allover the corner of Qingyuan mountain. There are 7 large-scale stone carvings ofTaoism and Buddhism in song and Yuan Dynasties, including 9 statues. There arenearly 500 ancient cliff carvings and granite carvings in yuan, Ming and QingDynasties There are three stone chambers with wooden structure, as well as therelic pagoda of Hongyi master gaohatong (Li Shutong) and the pagoda courtyard ofGuangqin master in modern times. Since ancient times, Qingyuan mountain has beenfamous for its 36 caves and 18 scenic spots. Today, we have limited time toenjoy the charm of Qingyuan mountain, so we can only leave some regrets and comeback next time.

OK, now please follow me to visit laojunyan. The layout of Laojun rock islike this: the Mountain Gate - the shady stone path - the statue of Laojun.

What you see now is the Mountain Gate of laojunyan. This mountain gate isbuilt in the form of a memorial archway. It is 12.6 meters high and 21 meterswide. There are four pillar heads with cloud pattern on the top of the gate, andDiamond Sapphire lamps are embedded on the top of the center, symbolizing thatQingyuan mountain is the Pearl of the ancient city and a famous mountain inChina. In front of us, the "upper and lower platform" is a variant of the YinYang Tai Chi eight trigrams. The natural stone standing in front of us isengraved with the words "green ox goes to the west, purple Qi comes to theEast". The stone gate is full of mountain and wild atmosphere, which vividlysets off Laozi's idea of "advocating nature" and makes people feel like enteringa fairyland outside things.

Along this quiet shady stone path, a giant of the botanical world, banyan,stands on both sides, with extraordinary style. The dense and long roots arelike Lao Tzu's long beard, which shows that Lao Tzu's thought is "everlastingand infinite vitality".

Dear friends, now, the stone sculpture in front of us is the statue ofLaojun, who has the reputation of "Laozi is the best in the world". The statueof Laojun is listed as a national key protected cultural relic, which is aunique art treasure in Taoist stone carvings in China. Carved in the SongDynasty, the stone statue is 5.63 meters high, 6.85 meters thick and 8.01 meterswide, covering an area of 55 square meters. Because it is the largest, the mostunique and the oldest Taoist stone sculpture in China, people in the literaryand historical circles jokingly call it "Laozi's number one in the world". It'sworthy of the name. The vivid and lifelike shape, exquisite charm, exaggeratedfreehand brushwork lines, simple and honest connotation, and the artisticconception of the unity of man and nature make this stone statue of Laojun lookespecially kind and lovely, full of enchanting charm. The most popular andadmirable thing is that the stone carving Laojun's manner is amiable, his eyesare deep and wise, his face is smiling, and he is approachable. He is full ofwarm human feelings, and he has no dignified and dignified immortal posture atall. At the same time, this stone statue of Laozi is also a symbol of health andlongevity. There is a dialect in Quanzhou: "touch the nose, eat one hundred andtwo.". Touch your eyes and eat a hundred and six. " This is spoken in thedialect of Southern Fujian. It means, who can touch Lao Jun's nose, can live120, touch his eyes, can live 160. If you are interested, you can feel it.

Dear friends, this is the end of our trip to Qingyuan mountain. As you allknow, Qingyuan mountain has many beautiful sceneries, and what we see today isonly a few. But I hope that through my introduction, you can leave a goodimpression on Qingyuan mountain, and arouse your interest in the mountains andrivers and revisit your hometown!

Finally, thank you for your cooperation and wish to have a chance to gettogether with you again!

清源山是泉州的名山，而今天，我和媽媽要去這座名山。

當要踏上去第一步時，我已經聞到了山獨有的氣味，那淡淡的清香彷彿正召喚着我進去。微風輕輕拂過樹梢，而他正把我推上了山，我心想難道這不是一種獨有的歡迎方式嗎?凹凸不平的石路帶領着我們，但它也同時述說着幾千年來的風雨艱辛。

此時的天空萬里無雲，我的眼睛已經裝不下如此多的美景了，頭東看西看都搖酸了。花草也是各種各樣有在馬路上都見不到的，如：紫色的牽牛花，有白色的白蘭花和桂花……讓我驚奇萬分，而且不止多，形狀也很奇特。往前再走幾步，就到了清源山的'著名景物“老君巖”它雄偉壯觀，而且不止多，身後被樹木遮擋，不知是否隱藏着祕密。

我依依不捨地離開了老君巖後，便再次往上爬，路途中，鳥兒們輕輕歡唱，昆蟲們飛來飛去，不時發出聲響，像一場音樂會一樣。不久後我走上了一座木橋，下面便是萬丈深淵，我抓緊扶手，生怕掉下去。離開小木橋越往上爬我發現樹木越少，風也越大，在這裏沒有動物。當風一吹，樹木搖搖晃晃，好似馬上就會倒下去。當我走進幽深的樹林叢中，蝴蝶正展開它那誘人的翅膀在緩緩飛起，這時又來了幾隻，它們飛來飛去的，正在看着五彩宴會呢!我站在那裏猶如一個石雕。

等它們飛走，一陣風吹來把我喚醒了，我突然聞到了幽香純淨的香味勝過了一切讓人回味無窮。氣味散去了。那寂寞重新歸平，輕風也不再運動整座山像睡了一般，死氣沉沉，讓人不禁有點毛骨悚然。此時正驕陽似火，可在深山裏不會炎熱，反而清涼。全靠那些茂密的參天大樹，突然有隻老鼠躥出來，正咬着食物，正是由於跑得快的原因，我爲這表演吃了一驚，沒想到萬物如此神奇。

往遠處看去，便看到了遠處的山高低不同，好像的波浪在此起彼伏，電線杆就像是燈塔，房屋就像船正在前行。近看，湖水碧波盪漾，清澈見底，讓人震驚的是，水竟然交叉着流。魚兒們歡快地躍出水面，好像遇到了開心事。

再往前走，我看到了瀑布，這是我第一次看到，那猶如正微微飄起的窗簾，也像潔白的白紗，它的聲音大如雷震，像一條白龍正在咆哮。這些水的力量是如此強大，一塊石頭可能因爲力量不夠，被衝下去了，這真叫人驚歎，瀑布的力量如此強大，連鋼鐵般的石頭都被衝破。

下山了，這些景象不時浮現在我腦海裏，在我上了那麼多次都沒有這種感覺，看來名山必須要仔細觀察。

Hello, everyone! I'm very glad to have the opportunity to climb themountain with you today and enjoy the beautiful and colorful scenery of Qingyuanmountain, which has the reputation of "showing the Southeast". Due to the timelimit, the scenic spots we visit today are laojunyan, qianshouyan and mitoyan inturn. I hope you have a good time!

Qingyuan mountain is a national key scenic spot, which is composed ofQingyuan mountain, jiuri mountain and Lingshan tomb, with a total area of 62square kilometers. Qingyuan mountain scenic area has an area of 40 Li, with themain peak at 498 meters above sea level. It is closely related to the mountaincity of Quanzhou and reflects each other. It is like a bright pearl of thefamous city of Quanzhou, shining with dazzling light, attracting many overseastourists. In history, Qingyuan mountain was also known as "Quanshan" because ofits many springs; the city was named "Quanzhou" because of its mountains; themountains are high and the people are numerous, also known as "Qiyun mountain";it is located in the northern suburb of the urban area, also known as "Beishan";it is also known as "Santai mountain" because of the confrontation of rding to the records of Quanzhou official records, Qingyuan mountain wasfirst developed in the Qin Dynasty. In the Tang Dynasty, Confucianism, Taoismand Buddhism competed to occupy land for business. They also had the activitiesof Islam, Manichaeism and Hinduism, and gradually developed into a culturalmountain with a variety of religions. In the scenic spot, there are flowingsprings and waterfalls, grotesque rocks and caves, emerald peaks and beautifultrees. The cultural landscape mainly consists of religious temples and palaces,stone treasures of literati academies, stone carvings and stone carvings isalmost everywhere in Qingyuan mountain. There are 7 large-scale Taoist andBuddhist stone carvings in song and Yuan Dynasties, including 9 statues. Thereare nearly 500 ancient cliff carvings, and the granite imitation wood structurein yuan, Ming and Qing Dynasties There are three stone chambers of Buddhastatues, as well as the relic tower of Hongyi master gaohatong (Li Shutong) andthe tower courtyard of Guangqin master in modern times. Since ancient times,Qingyuan mountain has been famous for its 36 caves and 18 scenic spots, amongwhich laojunyan, qianshouyan, mitoyan, bixiaoyan, ruixiangyan, huruquan,nantaiyan, Qingyuan cave and cienyan are the most famous. Today, we have limitedtime to enjoy the charm of Qingyuan mountain, so we can only leave some regretsfor our aftertaste, or visit from our relevant tourism publicity materials It'sbeen a while.

OK, now let's visit the first stop laojunyan.

The layout of Laojun rock is as follows: the mountain gate, the shady stonepath and the statue of Laojun.

Now you are standing at the Mountain Gate of laojunyan. Please payattention to the two-level curved platform, which is a variant of Yin Yang TaijiBagua. The natural stone standing in front of you is engraved with the eightseal characters of "qingniu goes to the west, Ziqi comes to the East", and theStone Mountain gate, which is decorated with intertwined windows, is full ofmountain and wild atmosphere, which makes Laozi "advocate nature" ”The idea of"the beauty of the world" is incisively and vividly set off, which makes peoplehave the pleasure of entering the fairyland outside the world.

Along this quiet shady stone path, a giant of the botanical world, banyan,stands on both sides, with extraordinary style. The dense and long roots arelike Lao Tzu's long beard, which shows that Lao Tzu's thought is "everlasting"and has infinite vitality.

Dear friends, now, the stone sculpture in front of us is the statue ofLaojun who has the reputation of "Laozi is the best in the world". The statue ofzhejun is listed as a national key protected cultural relic, which is a uniqueart treasure in Taoist stone carvings in China. It was carved in the SongDynasty. After thousands of years of vicissitudes, it is still vivid andenergetic. According to the records of Quanzhou Prefecture compiled during thereign of Emperor Qianlong in the Qing Dynasty, "the stone statues are made inheaven, and the good ones are slightly carved." It shows that it is a naturalgiant rock with a shape similar to an old man. It is a wonderful folk a little skill, it was carved into the sitting statue of Laozi, a famousphilosopher, thinker and founder of Taoism in the spring and Autumn period. SimaQian, a famous historian of the Han Dynasty, recorded in the biography of LaoziHanfei in historical records that "Laozi's surname is Li Shi, his name is er,his word is Boyang, and his posthumous title is ri Dan." Therefore, he was bornin qurenli, Li Township, kuxian County, Chu. Tao Te Ching, Lao Tzu's immortalwork, has a wide and far-reaching influence, as we often say, "happiness lies inmisfortune; misfortune lies in happiness." Admonish people that misfortune andfortune are relative. There is no need to worry about gain and loss. If you getsomething, you must lose something. At any time, you should keep a clear mindand not be confused by appearances. His views are full of simple statue of Laojun was originally surrounded by a high Taoist temple, and thegrand Taoist buildings such as Zhenjun hall and Beidou hall were quitespectacular. Later, the Taoist temple was burned down, and Laojun rock stood inthe open air, integrated with the nature. Its survival is enough to prove thatthe Taoist culture of Quanzhou, known as the "world religion Museum", was verydeveloped and prosperous in the Song Dynasty. Li Laojun rode a green ox out ofHangu pass and "entered Fujian from Chu" leisurely. Maybe he took a fancy to thegeomantic omen treasure land of "QUANNAN Buddhist kingdom"?!

Now let's take a serious look at the stone statue of Laojun. The stonestatue is 5.63 meters high, 6.85 meters thick and 8.01 meters wide, with a floorarea of 55 square meters. Because it is the largest and oldest Taoist stonesculpture in China, people in the literary and historical circles call it "Laoziis the best in the world". The vivid and lifelike shape, exquisite charm,exaggerated freehand brushwork lines, simple and honest connotation, and theartistic conception of the unity of man and nature make this stone statue ofLaojun look especially kind and lovely, full of enchanting charm. You see, itsits on the ground, with its left hand on its knees, its right hand on its back,its eyes smiling, and its eyebrows shining. It can be said that "the wind blowsthrough its whiskers, and it can play things.". Strictly speaking, it seems thatLao Jun's ears and knees are out of proportion. His ears droop over hisshoulders and his knees are extremely large. However, this exaggeration anddisplacement make people feel that he can stretch and bend freely. The mostpopular and admirable thing is that the old man's manner is amiable, his eyesare deep and wise, his face is smiling, open-minded and approachable. He is fullof warm human feelings, and he does not have a dignified and dignified immortalposture at all. The broad-minded and smiling look makes people feel approachableand approachable. Among the people, this stone statue of Laozi is also a symbolof health and longevity. There is a dialect in Quanzhou: "touch the nose, eatone hundred and two; touch the eyes, eat one hundred and six." It means, who cantouch Lao Jun's nose, can live 120, touch his eyes, can live 160. Of course,only a baby would believe it. As a matter of fact, Qingyuan mountain has freshair and wild scenery. If you come here often, you can benefit both physicallyand mentally. You don't need to touch your nose and eyes to prolong yourlife.

After getting close to the old man for thousands of years, we will enterthe artistic conception area of "Valley Sanskrit". Now you can see this simpleand natural ancient temple is qianshouyan.

Qianshouyan, also known as Guanyin temple, is named for its worship ofGuanyin statue. Qianshouyan is located on the left peak of Qingyuan red walls and plain tiles of the temple are very fresh. The sitting statueof Sakyamuni, founder of stone carving Buddhism in the Song Dynasty, isworshipped in the middle and back of the main hall. The stone statue isexquisite and lifelike. It is one of the best works of stone carving art in theSong Dynasty in Qingyuan mountain. The statue of Avalokitesvara with thousandsof hands and clothes in front of the stone statue is kind-hearted and has anexcellent look. The eighteen Arhats on the two sides of the wall have differentexpressions and feel ready to come out. Qianshouyan temple is full of incenseand fire all year round. In front of the temple, the pines and cypresses aregreen, and the peaks and rocks are jagged. It's worth mentioning that the 300year old ancient pine in front of the temple is special. You can see that itstrunk is divided into two parts, facing the temple gate, but not covering theeyes of the Buddha. It's amazing that it forms a beautiful angle with thetemple. The ancient pine is vigorous and straight, curly and circling, like acharitable old man, opening his arms to welcome the guests from all efore, it is no wonder that the guests of Huangshan Mountain, afterobserving the ancient pine, praised it as more beautiful than the "welcomingpine" of Huangshan Mountain, and its posture is more warm and magnanimous.

Climbing from Qianshou rock for more than ten minutes, you can reach Mitharock. Mor can be said to be one of the essence of Qingyuan mountain, where thereare waterfalls, ancient trees, temples and stone carvings. The natural landscapeand the cultural landscape are integrated into one, which is ingenious. Let'stake a look at this "spring cave waterfall". Look, the clear spring water flowsdown from the 50 meter high steep wall and splashes jade on the bluestone. It isfull of poetic and picturesque, and it cleans up the worldly customs. Literatiand poets of all ages often come here, but their literary thoughts areoverflowing. The inscriptions such as "Xixin", "qingruxu" and "liugao" are stillshining, which add to our appreciation interest Do you have the wonderfulfeeling of life painting midstream!

Beside the waterfall, this peculiar shaped epiphytic tree is formed by thecombination of ancient banyan and chongyangmu. It is like "Tianlv" who is deeplyaffectionate. Therefore, it is called "Tianlv Chengrui". It's amazing to seethat they are so close and like glue. Many scholars say that they are theincarnation of Chen Sanwu Niang's hometown. Therefore, there are often younglovers here, and Ruyi couple Nestle here, leaving a memorial photo full ofpoetic and picturesque. Just a few steps away, it is said that this big treewith thick shade is the "Yang Pu Tao", commonly known as "Lian Wu", which wasbrought back from Taiwan by general Shi Lang's department more than 700 yearsago. During the harvest season, the trees are green and red, and the fruits arenumerous. They are shaped like a bamboo hat, with a sharp top and a wide taste cool and delicious.

The first batch of provincial key cultural relics protection units, builtin the 24th year of the Yuan Dynasty (1364 AD), are mitoyan. It has a wood likestructure, a square plane, a 5.6-meter-wide back against the stone wall. Itrests on the top of the mountain. A gourd is placed in the middle of the mainridge. The banner on the door reads "Amitabha" and the column head and outsideThe eaves are arched, and the top of the rock is a square caisson. A statue of"Amitabha Buddha" is embossed on the rock surface of the stone wall. It is 5meters high and 2 meters wide. It is dignified and generous, with a full face,kind and kind. It has a bun on its head, a lotus on its feet, a flat chest onits left hand and a drooping right hand. According to the Buddhist scriptures,it means to satisfy the wishes of believers and lead all living beings to theparadise. No wonder so many good men and women worship Amitabha and aredevout.

There is a stone tablet on the right side of the right chamber, the stonetablet of the Yuan Dynasty, which records the process of the restoration of thestone inscriptions in the rock chamber of Mituo. The most valuable one is themany simplified characters in the inscriptions, which is an important historicalmaterial in the history of the simplification of Chinese characters. Theplatform in front of the temple is called "yixiaotai", and there are 3.5m-highfive level solid pagodas on the left and right sides of the platform. Standingon a roaring platform, you can see far and wide, the Jin River is flowing, thetwin towers are flying in the sky, the red chamber is green, and the scenery isenchanting, which makes people feel relaxed and forget to return.

Quanzhou has the reputation of a religious Museum, which is more prominentin the mother mountain Qingyuan mountain. We visited laojunyan (Taoism),qianshouyan (Buddhism) and mitsuyan (Buddhism). Now let's go to bixiaoyan(Lamaism) to appreciate the elegant demeanour of bixiaoyan III Buddha.

The three Buddhas sit side by side on the lotus seat, with the main statueabout 2.5 meters high and the left and right statues slightly lower. The Buddhastatues are well preserved. They are all of Tubo style: Buddha hair, snailtemples and Baoyan on them. His face is wide on the top and narrow on thebottom. His ears are drooping over his shoulders. His shoulders are wide and hiswaist is thin. He is wearing a cassock with his right shoulder bare. He puts acorner of the cassock on his left shoulder. The pattern is represented by relieflines, which are still obvious despite the vicissitudes. The stone statues haveround head light and body light. Zhongzun is the statue of Sakyamuni, also knownas the present Buddha. He is in charge of the present world. His statue is usedas the devil's image of touchdown, one hand caressing the ground and the otherhand upward. Zuo Zun, known as the pharmacist Buddha, is in charge of the pastworld. He is also one hand down, one hand up, just the left hand of the right Buddha is called Mitha Buddha. It is the future Buddha. It is themeditation phase of Shi Dingyin, that is, the hands are folded in the precipitous terrain, exquisite technology and different shapes make everyvisitor marvel.

The third Buddha is the main Buddha statue worshipped in the Buddhist Hallof Tibetan Esoterism (commonly known as Lamaism) since the 13th rding to the records of painted sculptures of the Yuan Dynasty, in theTibetan temples in Dadu of the Yuan Dynasty, all the three Buddhas wereworshipped in the main hall, which was the main god of the Yuan Dynasty at thattime. At present, the stone carvings of the three Buddhas have been identifiedby experts as the earliest and best preserved Sanskrit Buddha statues inSoutheast China. There is a stone carving 20 meters to the south, which recordsthat the third Buddha was carved in 1292, with a history of more than 700years.

One of the characteristics of bixiaoyan is its famous stele, strange stone,dense shade and secluded stream. Centered on the "three Buddha", there is theGuangqin master's pagoda building group in the style of Minnan folk house builtin 1991 on the south side. Behind it, we can see the large stone inscription"Shou" in cliff script of Southern Song Dynasty. The font is 3.5 meters high and3.15 meters wide, which is known as "the largest" Shou "in Minzhong"; Next to itis the sculpture of Fu Hu monk, and below it are several square stone carvingsleft by celebrities of the Qing Dynasty.

As the saying goes: unlimited scenery at the peak, high climb, suddenlyfeel open vision. Qingyuan cave and nantaiyan are the two peaks we have reachedtoday. They are called "Grand View of mountain and sea". Qingyuan cave, as thefirst cave in Qingyuan mountain, combines the rich historical, cultural andreligious deposits of Quanzhou, and has high ornamental and academic yuan cave is also known as "Chunyang cave" and "tuoxianyan". "Quanzhou FuZhi" said: "Qingyuan cave is especially large and strange.". During the reign ofShaoxing in the Song Dynasty, a Taoist surnamed Pei molted his bones and becamean immortal here. Why did Taoist Pei emerge as an immortal here? This is amysterious and long-standing folklore. It says that Taoist Pei killed the peopleand killed the giant python to Qingyuan cave. How deep is Qingyuan cave? Thereis a legend that Qingyuan cave connects Luoyang River. In front of the cave,there are Peixian temple, Guanyin hall, Wenchang Pavilion and other threereligious temples. There are also a large number of historical celebrities whohave come here in droves, leaving countless achievements: Li Guangjin, heQiaoyuan, Jiang Zhili, Hong Chengchou, Nian Bensheng, Ma Nvshu, Shi LangQingyuan cave not only has profound historical connotation and rich culturallandscape, but also has extremely spectacular and beautiful natural scenery. Nowlet's enjoy the myriad weather here. The mountain ranges in this area arecrisscross, the peaks fluctuate, and the levels change regularly. The communityis rich and colorful, evergreen all the year round, with the characteristics ofsubtropical rainforest, from which you can see the ancient and famous trees thatare still full of vitality after the wind and frost. Between spring and summer,the cloud and mist on the top of the mountain are transpiration, and thepavilions in front of the cave are ethereal. Because of its high position in themain peak, it faces the boundless sky below. In the near view, there aremountain shadows reflecting the Sky Lake, in the middle view, there are ancientcities with a panoramic view, and in the long view, there is vast sea, whichconstitutes a wonderful "Grand View of mountain and sea". Nantai rock is like a"castle in the air", with towering boulders and a broad vision. It flows intothe sea on the left and Jinxi River on the right. The ancient city is in theembrace, and the purple hat stands in front of it. Under the East and Westtowers, it is a marvelous spectacle in the "Grand View of mountains and seas"e are also Buddhist, Taoist and Buddhist buildings built close to theprecipice, surrounded by green cages of trees, which is also a good view forvisitors to climb high and overlook.

My friends, our journey is coming to an end. As you all know, Qingyuanmountain is full of beautiful sceneries, and what we see today is only rare. ButI hope that through my introduction, you can leave a good impression onQingyuan, a national famous mountain, and arouse your interest in mountains andrivers and revisit your hometown!

Finally, thank you for your cooperation and wish to have a chance to gettogether with you again!

Qingyuan mountain, also known as Beishan, Quanshan and Qiyun mountain, isthe North barrier of Quanzhou City. It is 498 meters above sea level and coversan area of 62 square kilometers. The main scenic area is 3 kilometers away fromQuanzhou City. "The wonder of Qingyuan is stone", and the spirit of Qingyuan isspring. Yuan people praised "the first mountain of Penglai in minhai". "Qingyuanconfrontation" is one of the ten scenic spots in Quanzhou, which has always beena range rover for tourists. It was listed as national scenic spot in 1988.

The right peak of Qingyuan mountain is steep, the middle peak is lofty, andthe left peak is meandering. Layer upon layer of peaks and knolls, deep holesare deep, and once the thirty-six cave days are known for their essence, such asLao Jun Yan, thousand hand rock, mite, Bi Xiao rock, Rui Xiang, Ci Enyan, fiveTaiwan rock, ntai Yan, tortoise rock, lion rock, slough rock and Qingyuan caveare still preserved; nests, Yunshan rocks and zidze cave are still relics. Thesecaves, either made of wonderful scenery or artificially carved, have their owncharacteristics and each achieves its own beauty. Its main features are: Laojunrock, located at the foot of Luoshan mountain and Wushan mountain, is a sittingstatue of Laojun carved from natural rocks of Song Dynasty. It is 5.1 metershigh, vivid in shape and exquisite in carving. It is now the most importantstone statue in China and a national key cultural relics protection unit.

Midoyan is located on the "yixiaotai" on the mountainside of zuofeng. In1364, an imitation wooden stone chamber was built on the stone wall, with a facewidth of 5.6 meters and the inscription "AMI" on the forehead

Buddha. On the back wall of the room, the statue of Amitabha Buddha, 5meters high, is a key cultural relic protection unit of the province. Outsidethe rock, there are "yixiantian", "Yuntai", "lianxinshi", "quankuguanbao","Hongyi master relic tower" and other landscapes.

Bixiaoyan, located in the southeast of midoyan, was built in the 27th yearof the Yuan Dynasty (1290). The original stone structure was abandoned. Thestatue of the third Buddha sitting in relief on the cliff is a key culturalrelic protection unit of the province. On the top of the rock is shangbixiao,with a platform and the character "Shou" carved on the cliff, which is 4 meterssquare. The spiritual bones of master Guangqin, who came back from Taiwan, werealso buried by Bixiao rock, and a stone tower was built to pay homage tothem.

Ruixiang rock is located in the east of Bixiao rock. In 1086, the statue ofSakya Ruixiang was carved on tianzhufeng mountain stone. It is 4.4 meters the 19th year of Chenghua (1483) of Ming Dynasty, the imitation wood stonechamber was built. The rock is a key cultural relic protection unit of theprovince. Outside the rock

The sky is full of strange rocks. Among the cliffs, there are cliffcarvings of "forget to return" and "North Gate victory". On the opposite side ofthe rock chamber is Luohan peak, standing on the side of the broken rock, whichis shaped like Luohan, forming the auspicious spectacle of the 18th LuohanDynasty.

In addition, the statues of Sakyamuni in qianshouyan and Guanyin in Baiyiin cienyan were all carved in Yuanyou period of Northern Song Dynasty, whichhave high historical and artistic value. The spring in Qingyuan mountain hasmore than 100 eyes. The famous one is called "Kong Quan", also known as "Hu FuQuan". The spring bursts out from the pores of a large rock lying obliquely,with clear and constant flow. Qingyuan and Quanshan got their names. "Springcave view waterfall" on the side of mitoyan. In the rainy season, there is ascene that "the rainbow and rain are blowing continuously, and there are stillmany rivers of colored glaze"; in the dry season, there is a drop of coagulatedfat, which needs to wait for the reservoir above to release its gate, and theartificial waterfall is built.

Scholars, generals, eminent monks and dignitaries of all dynasties visitedthe mountain, leaving 400 square steles and cliff inscriptions. Mi Fu's "thefirst mountain" in the Northern Song Dynasty, Yu Dayou's "Junen mountain" in theMing Dynasty, and master Hongyi's "the intersection of sadness and joy" in themodern monk's ink are highly admired. He studied in Jielu on Qingyuan mountainand made great achievements, including Ouyang Zhan, Lin Yun and Lin Zao in TangDynasty, Li Guangjin, Wang Shenzhong and Gu Bi in Ming Dynasty. There are manyTaoist priests and eminent monks in Qingyuan mountain. The numerous allusions,legends, myths and so on spread in Qingyuan mountain make the famous mountainhave more profound cultural connotation.

雖然我去過很多地方，但遊覽國家A級自然風景區卻是第一次。

那是一個星期天，我和媽媽、小姨、小表弟到泉州清源山遊玩。當我們來到清源山腳下的時候，發現這裏的遊客可真多呀!有鶴髮童顏的老人，有充滿活力的年輕人，有歡蹦亂跳的小孩子，更有金髮碧眼的外國人。我們買了門票就跟着那人羣往山頂的方向走去。“爬山了!”我高興地大喊。

不一會兒，我們來到了一個叫“蓮花池”的地方。只見池裏擠滿了碧綠的荷葉，荷葉間托起了無數粉紅的的荷花，這時，我想起了一句詩——“青荷蓋綠水，芙蓉披紅鮮”，這不就是眼前的景象嗎?蓮花池上有一座由一朵朵蓮花石雕連接起來的橋，造型別致，雕工精美，和池裏的荷花相映成趣，別有一番風味。我和媽媽連忙走上橋去，讓阿姨幫忙拍了好些照片。

走過了蓮花池，我們來到一棵樹蔭下乘涼。正當我一個勁猛喝水的時候，忽然發現那邊有好多吊牀，於是我向媽媽要求到吊牀那邊玩一陣子，媽媽答應了。我和小表弟各租了一張吊牀。我躺在上面，用力一晃，那吊牀就蕩了起來，“真爽!”我情不自禁地大叫起來。小表弟也高興得邊蕩邊大喊大叫。

蕩夠了吊牀，，我們又來到了天鵝湖。在這裏，我們雖然沒看到天鵝，但卻意外地看到了一湖碧綠的水。湖面平靜得像一面鏡子，倒映着岸上的垂柳，倒映着藍天、白雲，使人彷彿走進畫卷之中!幾朵小金魚正游過來，圍成一朵花的形狀，宛如花樣游泳運動員正進行集訓，引來岸上的遊客喝彩聲連連。

走了半天，我們纔回到山下。一路上綠蔭濃濃，我們盡情地呼吸着清新的空氣，享受着大自然賜予我們的禮物。

清源山又名北山、泉山、齊雲山，爲泉州城北屏障，海拔498公尺，面積62平方公里，主景區距泉州城市區3公里。“清源之奇以石”，清源之靈以泉。元人讚譽“閩海蓬萊第一山”。“清源鼎峙”爲泉州十景之一，歷來爲遊客登臨攬勝。1988年列爲國家風景名勝區。

清源山右峯峻峭，中峯巍峨，左峯迤邐。層巒疊嶂，壑深洞幽，曾以三十六洞天名其精華景物，如老君巖、千手巖、彌陀巖、碧霄巖、瑞象巖、賜恩巖、五臺巖、南臺巖、龜巖、獅巖、蛻巖和清源洞尚保存原貌;巢雲巖、寒山岩、紫澤洞尚有遺蹟。這些巖洞，或妙景天成，或人工雕造，都各具特色，各臻其美。其主要有：老君巖，位於左峯羅山、武山下，宋代天然岩石雕成的老君坐像，高5.1公尺，造型生動、刻工精巧，是我國現在最大道教石雕像，國家級重點文物保護單位。

彌陀巖，位於左峯山腰“一嘯臺”上。元至正二十四年(1364年)依石壁建仿木構石室，面寬5.6公尺，門額刻“阿彌

陀佛”。室後壁巖面浮雕阿彌陀佛立像，高5公尺，爲省重點文物保護單位。巖外有“一線天”、“雲臺”、“連心石”、“泉窟觀瀑”、“泓一法師舍利塔”等景觀。

碧霄巖，位於彌陀巖東南方，建於元至元二十七年(1290年)原有石構建築，已廢。巖壁上浮雕三世尊坐像，爲省重點文物保護單位。巖上方爲上碧霄，有平臺，崖刻“壽”字，4公尺見方。從臺灣迎回的廣欽法師的靈骨也埋在碧霄巖邊，並建石塔，以供瞻仰。

瑞像巖，位於碧霄巖東側，北宋元右二年(1086年)依天柱峯山石雕刻“釋迦瑞像”立姿，高4.4米。明成化十九年(1483年)建仿木構石室。該巖爲省重點文物保護單位。巖外

奇石扦天，千姿百態。峭壁間有“忘歸”、“北門勝概”崖刻。巖室對面爲羅漢峯，斷巖側立，形如羅漢，構成十八羅漢朝瑞像奇觀。

此外，千手巖的釋迦牟尼造像，賜恩巖的白衣觀音造像，均雕於北宋元右年間，具有很高的歷史、藝術價值。清源山的泉有一百多眼。著名的叫“孔泉”，也稱“虎浮泉”，泉從一斜臥大山石孔隙中迸出，細流清清，常流不絕。清源、泉山因此得名。彌陀巖側的“泉窟觀瀑”。在雨季有“虹雨千層吹不斷，琉璃萬斛涌還多”的景象;而在旱季，則凝脂潛滴，須待上方水庫放閘，人工造瀑。

歷代文士、武將、高僧、權貴遊山，留下400方碑刻和崖刻。北宋米芾的“第一山”，明將俞大猷的“君恩山重”，現代高僧泓一法師遺墨“悲欣交集”，備受景仰。曾在清源山上結廬讀書而成就頗豐有唐代的歐陽詹、林蘊、林藻，明代的李光縉、王慎中、顧碧等。在清源山修行和羽化道長、高僧不乏其人。清源山流傳無數的典故、傳說、神話等等，使名山更具深刻的文化內涵。

各位旅客朋友們大家好!歡迎大家來到有“秀出東南”之美譽的清源山觀光旅遊。我是某某旅行社的導遊，姓郭，大家可以叫我小郭。很高興今天由我來爲大家服務，在這裏先預祝各位旅途愉快。由於時間限制，我們今天參觀我們今天參觀的景點是老君巖和清源山第一洞，希望大家玩得開心遊的盡興!

大家請看，清源山是多麼的雄偉壯觀啊!整個景區是由清源山、九日山、靈山聖墓三大片組成，總面積六十二平方公里。清源山景區方圓有四十華里，主峯海拔498米，是泉州城一顆璀璨的明珠。大家知道我們清源山爲什麼如此出名嗎?

古人云：山不在高，有仙則名。清源山也正是借仙而出名的。傳說當年鐵柺李雲遊到此地的時候，看到這裏的景色如此的美麗，樂得他舉起了柺杖不停地點地，大呼：妙哉!妙哉!沒想到用力過猛，鐵杖深入地層數丈，突然就冒出一股清泉，噴射不止。因此，當時第一個發現此泉的人，就把此山命名爲“泉山”。此城也因此得名“泉州”。後來有人在泉字上做文章，把山名衍化爲“清源山”。山高人云又名“齊雲山”又因地處泉州市北郊又稱“北山”也因山峯鼎峙，又稱“三臺山”。

清源山景區內流泉飛瀑、奇巖異洞、峯巒疊翠、萬木競秀，以宗教寺廟宮觀、文人書院石寶以及石雕石構石刻等文物爲主的人文景觀幾乎遍佈清源山的每個角落，現存完好的宋、元時期道教、佛教大型石雕共7處9尊，歷代摩崖石刻近500方，元、明、清三代花崗岩仿木結構佛像石室3處，以及近代高憎弘一法師(李叔同)舍利塔和廣欽法師塔院。自古以來，清源山就以36洞天，18勝景聞名於世，今天我們時間有限，無法飽覽清源山的神韻，只能讓大家留點遺憾下次再來。

好，現在大家請隨我往前走參觀老君巖。老君巖的佈局是這樣的：山門――林蔭石徑――老君造像。

大家現在看到的是老君巖的山門，這座山門是以牌坊的形式建立的，高12.6米，寬21米。山門頂端有四個雲紋望柱頭，正中頂部嵌有菱形藍寶石燈飾，象徵清源山爲古城明珠，中國名山。而眼前這曲尺型的'上下兩級平臺，是陰陽太極八卦的變型圖案，正前聳立的這方天然石頭上鐫刻着“青牛西去，紫氣東來”八個字，還有這石構山門，充滿了山野氣息，把老子“崇尚自然”的思想烘托得淋漓盡致，使人有種進入物外仙境的感覺。

沿着這條幽靜的林蔭石徑往前，植物界巨人一榕樹分立兩側，氣派非凡。那一叢叢既密又長的樹根，有如老子的長髯，昭示出老子的思想“天長地久，無限生機”。

各位朋友，現在，展現在我們面前的這尊石雕，就是有“老子天下第一”美譽的老君造像。老君造像被列爲全國重點保護文物，是我國道教石刻中獨一無二的藝術瑰寶。它刻於宋代，石像高5.63米，厚6.85米，寬8.01米，佔地面積55平方米。由於它是我國現存最大、雕技最絕、年代最久的道教石雕造像，因此文史界人士戲稱它爲“老子天下第一”。倒也名符其實。生動逼真的造型，精美傳神的韻味，誇張寫意的線條，質樸淳厚的內涵，天人合一的意境，使這尊老君石像顯得格外親切可愛，充滿令人心馳神往、百看不厭的魅力。而最令人喜愛和讚歎的是，石刻老君的神態和藹可親，目光深邃而睿智，滿臉笑容，平易近人，充滿了一種溫馨的人情味，一點也沒有道貌岸然、威嚴凌厲的神仙架勢。同時，這尊老子石像還是健康長壽的象徵。泉州有句方言：“摸到鼻，吃百二。摸到目，吃百六。”這是用我們閩南的方言講的。意思是說，誰能摸到老君的鼻子，可以活上一百二，摸到眼睛呢，可以活上一百六。大家有興趣可以去摸摸看。

各位朋友，我們今天的清源山之旅就到此結束了。大家知道清源山佳景遍佈，我們今天所見僅僅是鳳毛麟角，但希望通過我的介紹後，能讓各位對清源山留下美好的印象，能引發您寄意山水，重遊故地之情!

最後，謝謝大家的配合，願有機會再和各位朋友相聚!

各位朋友，大家好!很高興今天有機會和大家一起去登山，去共同領略有“秀出東南”美譽的清源山秀麗而多姿的風采!由於時間所限，我們今天參觀的景點依次是老君巖、千手巖、彌陀巖，希望大家玩得開心盡興!

清源山是國家級重點風景名勝區，由清源山、九日山、靈山聖墓三大片區組成，總面積六十二平方公里。清源山景區方圓有四十華里，主峯海拔498 米，與泉州市山城相依，相互輝映，猶如名城泉州的一顆璀璨明珠，閃爍着耀眼的光芒，吸引了衆多的海外遊客。清源山歷史上因泉眼諸多亦名“泉山”，城因山得名“泉州”;山高人云又名“齊雲山”;位於市區北郊又稱“北山”;因山峯鼎峙，故又稱“三臺山”。據泉州府志記載，清源山最早開發於秦代，唐代“儒、道、釋”三家競相佔地經營，兼有伊斯蘭教、摩尼教、印度教的活動蹤跡，逐步發展爲多種宗教兼容幷蓄的文化名山。景區內流泉飛瀑、奇巖異洞、峯巒疊翠、萬木競秀，以宗教寺廟宮觀、文人書院石寶以及石雕石構石刻等文物爲主的人文景觀幾乎遍佈清源山的每個角落，現存完好的宋、元時期道教、佛教大型石雕共7處9尊，歷代摩崖石刻近500方，元、明、清三代花崗岩仿木結構佛像石室3處，以及近代高憎弘一法師(李叔同)舍利塔和廣欽法師塔院。自古以來，清源山就以36洞天，18勝景聞名於世，其中尤以老君巖、千手巖、彌陀巖、碧霄巖、瑞象巖、虎乳泉、南臺巖、清源洞、賜恩巖等爲勝，今天我們時間有限，無法飽覽清源山的神韻，只能讓大家留點遺憾去回味，或可以從我們有關的旅遊宣傳資料中去神遊一番了。

好，現在我們參觀第一站--老君巖。

老君巖的佈局是這樣的：山門--林蔭石徑--老君造像。

大家現在站的地方爲老君巖的山門，請大家注意，眼前這曲尺型的上下兩級平臺，是陰陽太極八卦的變型圖案，正前聳立的這方天然石頭上鐫刻着“青牛西去，紫氣東來”八個篆字，還有這幢以盤根錯節爲窗飾掛落的石構山門，充滿了山野氣息，把老子“崇尚自然”的思想烘托得淋漓盡致，令人有進入物外仙境的快意之感。

沿着這條幽靜的林蔭石徑往前，植物界巨人一榕樹分立兩側，氣派非凡。那一叢叢既密又長的樹根，有如老子的長髯，昭示出老子的思想“天長地久“，無限生機。

各位朋友，現在，展現在我們面前的這尊石雕，就是有真正“老子天下第一“美譽的老君造像。者君造像被列爲全國重點保護文物，是我國道教石刻中獨一無二的藝術瑰寶。它刻於宋代，歷經千年風雨滄桑，依然栩翎如生，神采奕奕。據清代乾隆年間編纂的《泉州府志》記載：“石像天成，好事者略施雕琢。”說明它是一塊形狀肖似老翁的天然巨巖，是巧奪天工的民間工匠略施技藝，把它雕刻成春秋時期著名哲學家、思想家、道教開山鼻祖老子的坐像。漢代著名史學家司馬遷在《史記.老子韓非列傳》中記述“老子姓李氏，名耳，字伯陽，諡日聃。”故籍爲楚地苦縣歷鄉“曲仁里人”。老子的不朽之作《道德經》具有廣泛而深遠的影響，象我們常說的“福兮，禍之所伏;禍兮，福之所倚。”告誡人們禍福旦夕，都是相對的，不必爲此患得患失，有所得必有所失，任何時候，都應保持清醒的頭腦，不可被表象所迷惑，他的觀點，充滿了樸素的唯物主義思想。老君造像原先有一座高大的道觀圍護，規模宏偉的真君殿、北斗殿等道教建築頗爲壯觀，後來道觀被焚燬，老君巖便露天屹立，與大自然渾爲一體，它的健在，足以證實譽稱“世界宗教博物館”的泉州古城，在宋代的道教文化是十分發達興盛的。李老君騎着青牛出函谷關，悠悠然“由楚入閩”，大概是看中了“泉南佛國”這一風水寶地吧?!

現在讓我們來認真觀賞老君石雕坐像。石像高5.63米，厚6.85米，寬8.01米席地面積55平方米。由於它是我國現存最大，雕技最絕年代最久的道教石雕造像，因此文史界人士戲稱之爲“老子天下第一”倒也名符其實。生動逼真的造型，精美傳神的韻味，誇張寫意的線條，質樸淳厚的內涵，天人合一的意境，使這尊老君石像顯得格外親切可愛，充滿令人心馳神往、百看不厭的魅力。你看它席地而坐，左手扶膝，右手憑几，雙眼含笑，鬚眉皓然，真可謂“風過髯動，指能彈物”。嚴格他說，老君的耳朵和雙膝似乎不合比例，雙耳垂肩、膝大無比，但這誇張和變位卻恰到好處地讓人感到大丈夫的伸屈自如。而最令人喜愛和讚歎的是，石刻老君的神態和藹可親，目光深邃而睿智，滿臉笑容，豁達大度，平易近人，充滿了一種溫馨的人情味，一點也沒有道貌岸然、威嚴凌厲的神仙架勢。那襟懷坦蕩，笑口常開的神情，讓人感到可親、可近。在民間，這尊老子石像還是健康長壽的象徵。泉州有句方言：“摸到鼻，吃百二;摸到目，吃百六。”意思是說，誰能摸到老君的鼻子，可以活上一百二，摸到眼睛呢，可以活上一百六。當然，只有小娃娃纔會信以爲真。其實清源山空氣清新，又有山野之趣，常到此地，身心得益，不必摸到什麼鼻子眼睛，便可延年益壽了。

在親近了千年老人之後，此刻我們將進入“幽谷梵音”的意境區。現在大家看到的這座古樸自然的古寺即爲千手巖。

千手巖又名觀音寺，它是因爲供奉觀音像而得名。千手巖處在清源山的左峯，寺宇紅牆素瓦，顯得格外清新。大殿正中靠後供奉的是宋代石雕佛教創始人釋伽牟尼坐像，石像工藝精湛，維妙維肖，是清源山宋代石雕藝術佳作之一。石像前的千手千服觀音塑像慈眉善眼，神態極佳。兩旁壁上的十八羅漢畫像，神態各異，有呼之欲出之感。千手巖寺中常年暮鼓晨鐘，香火不絕，寺前蒼松翠柏，峯石磷峋，別有一番情趣。值得一提的是寺前這株已有300多年曆史的古鬆，不知大家是否瞧出了它的特別之處?你看它樹幹東西分成兩叉，正對寺廟大門，卻又不遮佛眼，與寺廟形成一個很美的夾角，令人稱奇。古鬆蒼勁挺拔，虯曲盤旋，像一位慈善爲懷的老者，張開雙臂，迎接四方賓客，因此，無怪乎黃山的客人觀摩了這棵古鬆後，讚歎它比黃山的“迎客鬆”還美，姿態更加熱情大度。

從千手巖往上攀緩十多分鐘，即到彌陀巖。彌陀巖可以說是清源山的精華之一，這裏有流泉飛瀑、古樹名木、廟宇石刻……自然景觀和人文景觀融爲一體，巧奪天工。我們來看這一處“泉窟觀瀑”。瞧，清澈的泉水從五十米高的陡壁上瀉落，在青石上飛珠濺玉，充滿了詩情畫意，把人間的凡塵俗念盪滌貽盡，歷代文人騷客每每至此，不免文思流溢，滿目的摩崖石刻，如“洗心”、“清如許”、“流膏”等題刻仍熠熠生輝，爲我們增加了觀賞雅興，不知大家是否有人生畫中游的美妙感受!

在瀑布旁的這一株由古榕和重陽木合抱成一體，造型奇特的附生樹，如情深意篤的“天侶”，故美其名曰：“天侶呈瑞”。看着它們如此親密無間，如膠似漆，令人既驚歎不已又不由得浮想聯翩，不少的文人墨客說它是陳三五娘留在故鄉土地上的化身。因此，這裏常有年輕的戀人，如意的夫婦相偎於此，留下充滿詩情畫意的紀念照。而僅隔幾步之遙的這棵濃蔭如蓋的大樹，相傳是700多年前施琅將軍的的部將從臺灣帶回故鄉栽種的“洋蒲桃“，俗稱“蓮霧”。每當收穫季節，樹上綠裏透紅，果實累累，形若斗笠，頂部尖、底部寬，吃起來清涼可口，別有風味。

再往上，過雲臺，穿“一線天”，便到了高築雲臺之上的彌陀岩石室，彌陀巖是第一批省級重點文物保護單位，始建於元至正二十四年(公元1364 年)，仿木結構，平面近方形，背依石壁，面寬5.6公尺，歇山頂，正脊中間置一葫蘆，門上橫額書“阿彌陀佛”，柱頭及外檐用斗拱，巖內頂爲疊澀方形藻井，石壁巖面浮雕“阿彌陀佛”立像一尊，高5米，寬2米，造型端莊大方，面容豐滿，慈祥和善，頭結螺髻，足踏蓮花，左手平胸，右手下垂，據佛經上說，這是表示要滿足信徒的願望，接引衆生往極樂世界的意思。難怪這麼多善男信女，見了阿彌陀佛，都頂禮膜拜，虔誠備至。

右室右側有一方石碑《元代重修記事石碑》，這一方石碑記載了彌陀岩石室石刻的重修過程，而最有價值的則是碑文中出現的多處簡化字，是漢字簡化史不可多得的重要史料。寺前平臺叫“一嘯臺”，臺的左右各有3.5米高的5級實心佛塔一座。站在一嘯臺極目遠眺，晉水橫流，雙塔凌空，紅房碧野，景色妖嬈，使人心曠神治，留連忘返。

泉州具有宗教博物館之美譽，這在母親山--清源山體現得更爲突出。前面我們參觀了老君巖(道教)，千手巖、彌陀巖(佛教)，現在讓我們一起登上碧霄巖(喇嘛教)，去領略碧霄巖三世佛的風采吧。

三世佛並排結咖跌坐於仰覆蓮花座上，主像通高約2.5米，左右二像稍低。佛像保存完好，皆爲土蕃式樣：佛發螺鬢，上置寶嚴。面相上寬下窄，雙耳垂肩，肩寬腰細，均着袒右肩袈，並以架裟一角搭於左肩上。衣紋用凸雕線條表示，雖歷經滄桑而線條依然明顯。石像均有圓形頭光及身光。中尊爲釋迦像，又稱現在佛，主司現在的世界，其造像作觸地印之魔相，一手向下撫地，一手向上。左尊稱爲X師佛，即過去佛，主管過去的世界。他也是一手向下，一手向上，只是左掌託鉢。右尊叫彌陀佛，是未來佛，作施定印之禪定相，即雙手交疊置於腹部。險要的地勢，精湛的技術和迥異的形狀，無不讓每一個參觀者嘖嘖稱奇。

三世佛是13世紀以來藏傳密教(俗稱喇嘛教)佛堂中所供奉的主要佛像。《元代畫塑記》上記載，元大都的藏式寺院中，三世佛皆供於“正殿”，是當時元朝信奉的主神。目前，這三世佛石刻經專家考證後認定爲：我國發現的現存時代最早、保存最好、位於最東南的梵式三世佛造像。南側20米處有一方石刻即記載三世佛刻於1292年，距今已有七百多年的歷史。

名碑奇石，密蔭幽澗，是碧霄巖的一大特點，以“三世佛”爲中心，南側有1991年所建的閩南民居風格的廣欽法師塔院建築羣體;於其背後，我們看到了這個很大的南宋摩崖楷書石刻“壽”字，字體高3.5米，寬3.15米，譽稱“閩中第一大‘壽’字”;旁邊是伏虎僧雕刻，下方則有清代名士留下的數方石刻。

俗話說：無限風光在頂峯，高處登臨，眼界頓覺開闊。清源洞、南臺巖這兩個景點可以說是我們今天抵達的最高峯，稱之爲“山海大觀”。清源洞作爲清源山第一洞，溶合泉州豐厚的歷史、文化和宗教積澱，具有很高的觀賞和學術價值。清源洞又名“純陽洞”、“蛻仙岩”。《泉州府志》稱：“清源洞尤其大而奇者”。宋紹興年間有裴姓道人在此蛻骨登仙，時人塑像供奉。裴道人何以在此羽化成仙?這是一個富有神祕色彩、流傳久遠的民間傳說，說的是裴道人爲民除害，追殺殘害生靈的巨蟒至清源洞，堵住洞口而蛻化。若問清源洞有多深?民間尚有“清源洞通洛陽江”的傳說。洞前有裴仙祠、觀音殿、文昌閣等三教祠宇森然並列交相輝映。還有一大批歷史名人紛至沓來留下無數勝蹟;李光縉、何喬遠、姜志禮、洪承疇、粘本盛、馬負書、施琅、……清源洞不僅具有深邃的歷史內涵和豐富的人文景觀，還有極爲壯觀優美的自然風光。現在讓我們領略此處的萬千氣象。這一帶山脈橫斷，峯巒起伏，層次變化極富規律;羣落豐富多彩，四季常青，具有亞熱帶雨林特徵，從中隨步可見歷盡風霜依然生機盎然的古樹名木。春夏之間山頂雲霧蒸騰，洞前亭閣縹緲。又因高居主峯，下臨無際，近景有山影倒映天湖，中景有古城盡收眼底，遠景有大海蒼茫，構成一幅絕妙的“山海大觀”意境圖。南臺巖則如“空中樓閣”，巨石高聳，視野曠遠，左挹大海，右帶金溪，晉水橫波，古城在抱，紫帽凌霄峙其前，東西兩塔拜其下，是“山海大觀”意境區中一處妙奪天工的奇景。同樣有釋、道、佛三教建築緊依絕壁而起，四周樹木蔥籠，亦是一處遊人登高遠眺之佳景。

朋友們，我們的遊程即將結束。大家知道清源山佳景遍佈，我們今天所見僅僅是鳳毛麟角，但我希望通過我的介紹，各位能對清源這座國家級名山留下美好的印象，能引發您寄意山水，重遊故地之情!

最後，謝謝大家的配合，願有機會再和各位朋友相聚!

各位朋友，大家好!很高興今天有機會和大家一起去登山，去共同領略有“秀出東南”美譽的清源山秀麗而多姿的風采!由於時間所限，我們今天參觀的景點依次是老君巖、千手巖、彌陀巖，希望大家玩得開心盡興!

清源山是國家級重點風景名勝區，由清源山、九日山、靈山聖墓三大片區組成，總面積六十二平方公里。清源山景區方圓有四十華里，主峯海拔498米，與泉州市山城相依，相互輝映，猶如名城泉州的一顆璀璨明珠，閃爍着耀眼的光芒，吸引了衆多的海外遊客。清源山歷史上因泉眼諸多亦名“泉山”，城因山得名“泉州”;山高人云又名“齊雲山”;位於市區北郊又稱“北山”;因山峯鼎峙，故又稱“三臺山”。據泉州府志記載，清源山最早開發於秦代，唐代“儒、道、釋”三家競相佔地經營，兼有伊斯蘭教、摩尼教、印度教的活動蹤跡，逐步發展爲多種宗教兼容幷蓄的文化名山。景區內流泉飛瀑、奇巖異洞、峯巒疊翠、萬木競秀，以宗教寺廟宮觀、文人書院石寶以及石雕石構石刻等文物爲主的人文景觀幾乎遍佈清源山的每個角落，現存完好的宋、元時期道教、佛教大型石雕共7處9尊，歷代摩崖石刻近500方，元、明、清三代花崗岩仿木結構佛像石室3處，以及近代高憎弘一法師(李叔同)舍利塔和廣欽法師塔院。自古以來，清源山就以36洞天，18勝景聞名於世，其中尤以老君巖、千手巖、彌陀巖、碧霄巖、瑞象巖、虎乳泉、南臺巖、清源洞、賜恩巖等爲勝，今天我們時間有限，無法飽覽清源山的神韻，只能讓大家留點遺憾去回味，或可以從我們有關的旅遊宣傳資料中去神遊一番了。

好，現在我們參觀第一站--老君巖。

老君巖的佈局是這樣的：山門--林蔭石徑--老君造像。

大家現在站的地方爲老君巖的山門，請大家注意，眼前這曲尺型的上下兩級平臺，是陰陽太極八卦的變型圖案，正前聳立的這方天然石頭上鐫刻着“青牛西去，紫氣東來”八個篆字，還有這幢以盤根錯節爲窗飾掛落的石構山門，充滿了山野氣息，把老子“崇尚自然”的思想烘托得淋漓盡致，令人有進入物外仙境的快意之感。

沿着這條幽靜的林蔭石徑往前，植物界巨人一榕樹分立兩側，氣派非凡。那一叢叢既密又長的樹根，有如老子的長髯，昭示出老子的思想“天長地久“，無限生機。

各位朋友，現在，展現在我們面前的這尊石雕，就是有真正“老子天下第一“美譽的老君造像。者君造像被列爲全國重點保護文物，是我國道教石刻中獨一無二的藝術瑰寶。它刻於宋代，歷經千年風雨滄桑，依然栩翎如生，神采奕奕。據清代乾隆年間編纂的《泉州府志》記載：“石像天成，好事者略施雕琢。”說明它是一塊形狀肖似老翁的天然巨巖，是巧奪天工的民間工匠略施技藝，把它雕刻成春秋時期著名哲學家、思想家、道教開山鼻祖老子的坐像。漢代著名史學家司馬遷在《史記.老子韓非列傳》中記述“老子姓李氏，名耳，字伯陽，諡日聃。”故籍爲楚地苦縣歷鄉“曲仁里人”。老子的不朽之作《道德經》具有廣泛而深遠的影響，象我們常說的“福兮，禍之所伏;禍兮，福之所倚。”告誡人們禍福旦夕，都是相對的，不必爲此患得患失，有所得必有所失，任何時候，都應保持清醒的頭腦，不可被表象所迷惑，他的觀點，充滿了樸素的唯物主義思想。老君造像原先有一座高大的道觀圍護，規模宏偉的真君殿、北斗殿等道教建築頗爲壯觀，後來道觀被焚燬，老君巖便露天屹立，與大自然渾爲一體，它的健在，足以證實譽稱“世界宗教博物館”的泉州古城，在宋代的道教文化是十分發達興盛的。李老君騎着青牛出函谷關，悠悠然“由楚入閩”，大概是看中了“泉南佛國”這一風水寶地吧?!

現在讓我們來認真觀賞老君石雕坐像。石像高5.63米，厚6.85米，寬8.01米席地面積55平方米。由於它是我國現存最大，雕技最絕年代最久的道教石雕造像，因此文史界人士戲稱之爲“老子天下第一”倒也名符其實。生動逼真的造型，精美傳神的韻味，誇張寫意的線條，質樸淳厚的內涵，天人合一的意境，使這尊老君石像顯得格外親切可愛，充滿令人心馳神往、百看不厭的魅力。你看它席地而坐，左手扶膝，右手憑几，雙眼含笑，鬚眉皓然，真可謂“風過髯動，指能彈物”。嚴格他說，老君的耳朵和雙膝似乎不合比例，雙耳垂肩、膝大無比，但這誇張和變位卻恰到好處地讓人感到大丈夫的伸屈自如。而最令人喜愛和讚歎的是，石刻老君的'神態和藹可親，目光深邃而睿智，滿臉笑容，豁達大度，平易近人，充滿了一種溫馨的人情味，一點也沒有道貌岸然、威嚴凌厲的神仙架勢。那襟懷坦蕩，笑口常開的神情，讓人感到可親、可近。在民間，這尊老子石像還是健康長壽的象徵。泉州有句方言：“摸到鼻，吃百二;摸到目，吃百六。”意思是說，誰能摸到老君的鼻子，可以活上一百二，摸到眼睛呢，可以活上一百六。當然，只有小娃娃纔會信以爲真。其實清源山空氣清新，又有山野之趣，常到此地，身心得益，不必摸到什麼鼻子眼睛，便可延年益壽了。

在親近了千年老人之後，此刻我們將進入“幽谷梵音”的意境區。現在大家看到的這座古樸自然的古寺即爲千手巖。

千手巖又名觀音寺，它是因爲供奉觀音像而得名。千手巖處在清源山的左峯，寺宇紅牆素瓦，顯得格外清新。大殿正中靠後供奉的是宋代石雕佛教創始人釋伽牟尼坐像，石像工藝精湛，維妙維肖，是清源山宋代石雕藝術佳作之一。石像前的千手千服觀音塑像慈眉善眼，神態極佳。兩旁壁上的十八羅漢畫像，神態各異，有呼之欲出之感。千手巖寺中常年暮鼓晨鐘，香火不絕，寺前蒼松翠柏，峯石磷峋，別有一番情趣。值得一提的是寺前這株已有300多年曆史的古鬆，不知大家是否瞧出了它的特別之處?你看它樹幹東西分成兩叉，正對寺廟大門，卻又不遮佛眼，與寺廟形成一個很美的夾角，令人稱奇。古鬆蒼勁挺拔，虯曲盤旋，像一位慈善爲懷的老者，張開雙臂，迎接四方賓客，因此，無怪乎黃山的客人觀摩了這棵古鬆後，讚歎它比黃山的“迎客鬆”還美，姿態更加熱情大度。

從千手巖往上攀緩十多分鐘，即到彌陀巖。彌陀巖可以說是清源山的精華之一，這裏有流泉飛瀑、古樹名木、廟宇石刻……自然景觀和人文景觀融爲一體，巧奪天工。我們來看這一處“泉窟觀瀑”。瞧，清澈的泉水從五十米高的陡壁上瀉落，在青石上飛珠濺玉，充滿了詩情畫意，把人間的凡塵俗念盪滌貽盡，歷代文人騷客每每至此，不免文思流溢，滿目的摩崖石刻，如“洗心”、“清如許”、“流膏”等題刻仍熠熠生輝，爲我們增加了觀賞雅興，不知大家是否有人生畫中游的美妙感受!

在瀑布旁的這一株由古榕和重陽木合抱成一體，造型奇特的附生樹，如情深意篤的“天侶”，故美其名曰：“天侶呈瑞”。看着它們如此親密無間，如膠似漆，令人既驚歎不已又不由得浮想聯翩，不少的文人墨客說它是陳三五娘留在故鄉土地上的化身。因此，這裏常有年輕的戀人，如意的夫婦相偎於此，留下充滿詩情畫意的紀念照。而僅隔幾步之遙的這棵濃蔭如蓋的大樹，相傳是700多年前施琅將軍的的部將從臺灣帶回故鄉栽種的“洋蒲桃“，俗稱“蓮霧”。每當收穫季節，樹上綠裏透紅，果實累累，形若斗笠，頂部尖、底部寬，吃起來清涼可口，別有風味。

再往上，過雲臺，穿“一線天”，便到了高築雲臺之上的彌陀岩石室，彌陀巖是第一批省級重點文物保護單位，始建於元至正二十四年(公元1364年)，仿木結構，平面近方形，背依石壁，面寬5.6公尺，歇山頂，正脊中間置一葫蘆，門上橫額書“阿彌陀佛”，柱頭及外檐用斗拱，巖內頂爲疊澀方形藻井，石壁巖面浮雕“阿彌陀佛”立像一尊，高5米，寬2米，造型端莊大方，面容豐滿，慈祥和善，頭結螺髻，足踏蓮花，左手平胸，右手下垂，據佛經上說，這是表示要滿足信徒的願望，接引衆生往極樂世界的意思。難怪這麼多善男信女，見了阿彌陀佛，都頂禮膜拜，虔誠備至。

右室右側有一方石碑《元代重修記事石碑》，這一方石碑記載了彌陀岩石室石刻的重修過程，而最有價值的則是碑文中出現的多處簡化字，是漢字簡化史不可多得的重要史料。寺前平臺叫“一嘯臺”，臺的左右各有3.5米高的5級實心佛塔一座。站在一嘯臺極目遠眺，晉水橫流，雙塔凌空，紅房碧野，景色妖嬈，使人心曠神治，留連忘返。

泉州具有宗教博物館之美譽，這在母親山--清源山體現得更爲突出。前面我們參觀了老君巖(道教)，千手巖、彌陀巖(佛教)，現在讓我們一起登上碧霄巖(喇嘛教)，去領略碧霄巖三世佛的風采吧。

三世佛並排結咖跌坐於仰覆蓮花座上，主像通高約2.5米，左右二像稍低。佛像保存完好，皆爲土蕃式樣：佛發螺鬢，上置寶嚴。面相上寬下窄，雙耳垂肩，肩寬腰細，均着袒右肩袈，並以架裟一角搭於左肩上。衣紋用凸雕線條表示，雖歷經滄桑而線條依然明顯。石像均有圓形頭光及身光。中尊爲釋迦像，又稱現在佛，主司現在的世界，其造像作觸地印之魔相，一手向下撫地，一手向上。左尊稱爲藥師佛，即過去佛，主管過去的世界。他也是一手向下，一手向上，只是左掌託鉢。右尊叫彌陀佛，是未來佛，作施定印之禪定相，即雙手交疊置於腹部。險要的地勢，精湛的技術和迥異的形狀，無不讓每一個參觀者嘖嘖稱奇。

三世佛是13世紀以來藏傳密教(俗稱喇嘛教)佛堂中所供奉的主要佛像。《元代畫塑記》上記載，元大都的藏式寺院中，三世佛皆供於“正殿”，是當時元朝信奉的主神。目前，這三世佛石刻經專家考證後認定爲：我國發現的現存時代最早、保存最好、位於最東南的梵式三世佛造像。南側20米處有一方石刻即記載三世佛刻於1292年，距今已有七百多年的歷史。