西安鐘樓的導遊詞(精選18篇)

來源:瑞文範文網 1.01W

西安鐘樓的導遊詞 篇1

西安城牆除明代在東、西、南、北有四個門:長樂門、安定門、永寧門、安遠門外,隨着歲月的變遷,城門也發生種.種變化。現在我們除了可以看到這四個門,還可以看到:勿幕門、朱雀門、含光門、玉祥門、中山門、尚德門、建國門、和平門、文昌門等等,這些名稱的來歷也從一個側面反映了古城沉浮衰興。

西安鐘樓的導遊詞(精選18篇)

明西安城牆顯示了我國古代勞動人民的聰明才智,它以悠久的歷史,偉岸的雄姿,神祕的色彩吸引了八方遊客。好了,西安城牆就參觀到這裏,我們將繼續帶大家去參觀鐘鼓樓。謝謝大家!

鐘樓和鼓樓是古代中國城市的特有建築。鍾與鼓本是中國最早出現的打擊樂器,它的誕生至少有3000年以上的歷史。最初作爲祭禮、朝儀、娛神中的禮器和樂器。大約自春秋時期,也就是公元前八世紀開始用於軍事指揮。古代中國城市兼有軍事城堡性質,除城市四周構築城牆,挖掘城壕,設置吊橋外,與之配套的還需要在城市中心修築鐘鼓樓作爲指揮中樞。平時以晨鐘暮鼓報告時辰,定時啓閉吊橋,緊急狀態是用以報警戒嚴,指揮城防。這種嚴密的城市防禦系統在明代發展到頂峯。西安是明代西北軍政重鎮,它的鐘樓和鼓樓無論從建築規模、歷史價值或藝術價值各方面衡量,都居全國同類建築之冠。

我們現在看到的這座建築就是鐘樓。鐘樓位於西安市東西南北四條大街的交匯處,佔地11260平方米,建築面積是1378平方米。它建於公元1384年,也就是明洪武十七年,最初位於西大街的迎祥觀,距目前位置1000米左右。當時迎祥觀是西安市的中心,但鐘樓在建成200年後,隨着城市中心的東移,城門改建,新的東、南、西、北四條大街形成,位於迎祥觀的鐘樓便日益顯得偏離城市中心。到了明神宗萬曆10年,也就是公元1582年,在陝西巡撫龔懋賢的主持下,將鐘樓來個整體拆遷,遷至今址。據鐘樓的碑文記載,移建工程除重新建造基座外,木質結構的樓體全是原樣原件。所以耗資不多,工程迅速。

鐘樓呈典型明代建築藝術風格,樓高36米,重檐斗拱,攢尖高聳,屋檐微翹,華麗莊嚴。由基座,樓身和樓頂三部分組成。基座是正方形,每邊長35.5米,高8.6米,全部用青磚砌成。基座四面正中各有一個高和寬都是6米的十字交叉券洞。樓身爲正方形木質結構,邊長22米,高26米,四面五開間,外面以迴廊環繞,裏面爲二層樓,樓內有木梯盤旋而上。樓內上下兩層正方形大廳裏,陳列着明代以來各種名貴瓷器及紅楠木傢俱,四面門上佈滿浮雕畫,風格厚朴生動。樓頂爲四角攢尖結構,上面覆蓋着碧綠色的琉璃瓦,頂端大圓頂高達5米,裏面是木心,外貼銅皮,銅皮上再箔敷一層黃金,金光閃閃,輝煌燦爛。

鐘樓的西北角上陳列着一口明代鐵鐘,重5噸,鍾邊鑄有八卦圖案。這口鐘建造以明成化年間,也就是公元1465年1487年間。但它比鐘樓早先懸掛的銅鐘卻小得多了。鐘樓原先懸掛的巨鍾是唐代景雲年間鑄造的 景雲鍾。現在這口鐘收藏於西安碑林。據說,鐘樓從迎祥觀遷到今址後,雖然樓的式樣大小並沒有改變,但景雲鍾卻怎也敲不響了陝西西安鐘鼓樓、城牆_小三峽_西安古城牆導遊詞3篇演講稿。沒有辦法,只有另換。對於景雲鐘不響的原因,有人認爲它是歷世久遠,神武有靈 ,不願被熱挪動;也有人說,鍾置於室內正好像是 待甕以呼 ,當時應該移到樓外。但無論如何,這給鐘樓的歷史又添上一層神祕的色彩。

爲了將景雲鍾移到新建的鐘樓上,當年在西大街西段搭起一座斜橋,利用橋面斜坡把景雲鍾運到了鐘樓上。據說 橋梓口也因此而得名。鐘樓內西牆上嵌刻有《鐘樓歌》和《鐘樓記》碑刻。《鐘樓歌》是當年修建鐘樓的陝西巡撫龔懋賢在解職赴京時登樓所賦

詩中對鐘樓做了熱情的讚頌。《鐘樓記》是督修過鐘樓的巡撫張楷所作,詳細記述了鐘樓的身世。在鐘樓的門上有木刻浮雕故事畫共64幅,其中有木蘭從軍、嫦娥奔月、柳毅傳書、八仙過海等等。這些木刻浮雕故事,給鐘樓增添了不少歷史趣味。建國後,西安市人民政府又對鐘樓進行了三次大規模修葺,使這座古建築又煥發了昔日的風采。

與鐘樓遙遙相對的是鼓樓。鼓樓位於鐘樓的西北角。鼓樓樓底門洞爲南北向,北通北院門,南達西大街。鼓樓建於明太祖洪武十三年,也就是公元1380年,比鐘樓要早四年,與鐘樓是姊妹樓。在鼓樓的第一層北面有一面巨鼓,與鐘樓上的晨鐘形成暮鼓,所以稱爲鼓樓。鼓樓佔地1999平方米,建築面積1804平方米。樓體呈長方形,總高33米,基座高8米。基座的門洞高與寬均爲6米,洞深38米。鼓樓建築爲重檐歇山式,琉璃瓦覆頂,重檐三滴水。樓分上、下兩層。南北檐下各有一塊匾,每塊匾重約3噸。南邊的匾額是:文武盛地 ,爲清乾隆皇帝御筆刻書。北面的匾額爲 聲聞於天,是咸寧縣書生李允寬書寫。在鼓樓的外檐都飾有斗拱,四面有迴廊陝西西安鐘鼓樓、城牆_小三峽_西安古城牆導遊詞3篇陝西西安鐘鼓樓、城牆_小三峽_西安古城牆導遊詞3篇。在鼓樓的三樓有14根紅色顯柱,24根隱柱交叉立。裏面掛有3只大宮燈,12盞中宮燈,16盞小宮燈。天花板上油漆彩繪雲形圖案,古色古香,十分美麗。1953年,國家撥款對鼓樓進行了大修,設立了文管所,精心保護,使鼓樓更加秀麗巍峨。現在,鐘鼓樓交相輝映,使古城西安更加美麗壯觀。

好了,鐘鼓樓的參觀到這裏就結束了。謝謝大家!

西安鐘樓的導遊詞 篇2

鐘樓地處西安繁華的東、西、南、北四條大街交匯處,它古時用來在清晨敲鐘報時,故稱鐘樓 。從建成之日起,鐘樓就一直被看作是古城西安的象徵,現爲陝西省重點文物保護單位。它是我國古代遺留下來許多鐘樓中形制最大、保存最完整的一座。西安是明代西北軍政重鎮,它的鐘樓無論從建築規模歷史價值或藝術價值各方面衡量,都居全國同類建築之冠。

鐘樓始建於1384年。鐘樓的基座是正方形,佔地1377.4平方米,高8.6米,寬35.5米,全部用青磚砌成。樓爲磚木結構,高36米。外部重檐3層,但內部僅上下兩層。樓檐四角攢頂,檐下飾有彩繪斗拱。“斗拱”是我國古代木結構建築的特點之一。在世界建築史上也是獨一無二的。它不但能使建築物更加牢固,而且更加美觀。斗拱在 商代就已出現,在我國青銅器的花紋上,可以看到較完整的斗拱圖象。

特點:鐘樓始建於明太祖朱元璋洪武十七年(公元1384年),因樓上懸掛鐵鐘一口而得名。初建時,地址在今廣濟街口,與鼓樓對峙。明神宗萬曆十年(公元1582年)由巡安御使龔賢主持,將鐘樓整體遷移於今址。鐘樓呈典型明代建築藝術風格,重檐斗拱,攢頂高聳,屋檐微翹,華麗莊嚴。

巨鍾軼聞 :鐘樓的西北角上陳列着一口明代鐵鐘,重5噸,鍾邊鑄有八卦圖案,建造於明成化年間(1465~1487年)。但它比鐘樓早先懸掛的銅鐘卻小得多了。鐘樓原先懸掛的巨鍾是唐代景雲年間鑄造的“景雲鍾”(現藏於碑林博物館)。據說,遷到今址之後,雖然樓的式樣大小並沒有改變,景雲鍾卻怎麼也敲不響了。無可奈何,只有另換。

西安鐘樓的導遊詞 篇3

鐘樓地處西安繁華的東、西、南、北四條大街交匯處,它古時用來在清晨敲鐘報時,故稱鐘樓 。從建成之日起,鐘樓就一直被看作是古城西安的象徵,現爲陝西省重點文物保護單位。它是我國古代遺留下來許多鐘樓中形制最大、保存最完整的一座。西安是明代西北軍政重鎮,它的鐘樓無論從建築規模歷史價值或藝術價值各方面衡量,都居全國同類建築之冠。

鐘樓始建於1384年。鐘樓的基座是正方形,佔地1377.4平方米,高8.6米,寬35.5米,全部用青磚砌成。樓爲磚木結構,高36米。外部重檐3層,但內部僅上下兩層。樓檐四角攢頂,檐下飾有彩繪斗拱。“斗拱”是我國古代木結構建築的特點之一。在世界建築史上也是獨一無二的。它不但能使建築物更加牢固,而且更加美觀。斗拱在 商代就已出現,在我國青銅器的花紋上,可以看到較完整的斗拱圖象。

特點:鐘樓始建於明太祖朱元璋洪武十七年(公元1384年),因樓上懸掛鐵鐘一口而得名。初建時,地址在今廣濟街口,與鼓樓對峙。明神宗萬曆十年(公元1582年)由巡安御使龔賢主持,將鐘樓整體遷移於今址。鐘樓呈典型明代建築藝術風格,重檐斗拱,攢頂高聳,屋檐微翹,華麗莊嚴。

巨鍾軼聞 :鐘樓的西北角上陳列着一口明代鐵鐘,重5噸,鍾邊鑄有八卦圖案,建造於明成化年間(1465~1487年)。但它比鐘樓早先懸掛的銅鐘卻小得多了。鐘樓原先懸掛的巨鍾是唐代景雲年間鑄造的“景雲鍾”(現藏於碑林博物館)。據說,遷到今址之後,雖然樓的式樣大小並沒有改變,景雲鍾卻怎麼也敲不響了。無可奈何,只有另換。

西安鐘樓的導遊詞 篇4

鐘樓始建於明朝洪武十七年,原址在廣濟街口。萬曆九年遷址到東西南北四條大街的交匯處,成爲一做綰轂東西、呼應南北的軸心建築。萬曆年間,關中地震道士高承之斷言,有萬年鰲魚在地下作怪,於是知府將鐘樓遷到現址震住妖孽作祟的穴口,從此西安天下太平,萬民樂業。鐘樓正面的楹聯就反應了這段傳說。

明王朝定都南京後,其間還有一次遷都之議。有大臣主張遷都西安,朱元璋曾有些心動,專門派太子朱標赴西安實地勘察,選擇宮室基址,並繪製陝西地圖進獻。太子朱標從陝西回到南京後,呈獻了陝西地圖給父皇朱元璋,並詳細介紹了西安的地理優勢,認爲:“舉天下莫關中若也,天下山川惟秦地號爲險固”,提議遷都西安 。但不久太子朱標英年早逝,此時朱元璋已經年邁,這位晚年喪子的老人心力憔悴,遷都之事不了了之,但西安鐘樓已按照皇家建築級別建成。

鐘樓建成198年後,經歷了一場整體搬遷。這次東遷是與西安城市發展的東擴有關,鐘樓二樓西牆上,嵌有一方《鐘樓東遷歌》碑,記述了這座巨大建築整體遷移的過程。

鐘樓初建時的位置在西大街以北廣濟街口的迎樣觀,與南北城門正對,是城市的中心。這一位置正在唐長安城的中軸線上,也是五代、宋、元時長安城的中心。然而,在其後的二百年間,西安城不斷擴建,在原來的基礎上,向東、向北各擴建了近四分之一的面積,隨着城市中心東移,城門改建,新的東、南、西、北四條大街形成,位於迎祥觀的鐘樓便日益顯得偏離城市中心。明神宗萬曆十年(1582年),由巡撫御使龔懋賢主持,將鐘樓整體遷移於今天的地址,成爲一座綰轂東西、呼應南北的軸心建築。

西安鐘樓的導遊詞 篇5

西安鐘樓,建於明太祖朱元璋洪武十七年(公元1384年),爲磚木結構,重樓三層檐,四角攢頂的形式,總高36米,每邊長35.5米,佔地面積1377平方米,內有樓梯可盤旋而上。在檐上覆蓋有深綠色琉璃瓦,樓內貼金彩繪,畫棟雕樑,頂部有鎏金寶頂,金碧輝煌。以它爲中心輻射出東、南、西、北四條大街並分別與明城牆東、南、西、北四門相接。

欣賞編鐘所奏的樂曲以及仿古舞蹈。曲目有民樂《登樓曲》,長安古樂《奉金盃》、《搖門栓》,名曲《春江花月夜》,古曲《飛天》、《大登殿》,編鐘獨奏《茉莉花》,以及《秦腔曲牌》。每日六場演出,時間分別爲上午9:00、10:30、11:30、15:00、16:00、17:00 ,每場四首滾動演出,表演時間10-15分鐘。

鐘鼓樓表演除每日固定時間外,團體欣賞可提前預約,加場演出時間爲晚19:00-22:00。

西安鐘樓的導遊詞 篇6

西安鐘樓,是國內最大、最完整的一座鐘樓,始建於明洪武十七年(公元1384年),鐘樓處於西安的中心地帶,是古城的地標之一,以它爲中心輻射出東、南、西、北四條大街並分別與西安城牆東、南、西、北四門相接。

西安的鼓樓,原先在西邊的廣濟街上,隨着城市中心東移,在明神宗萬曆十年(1582年),將鐘樓遷徙到了鼓樓東邊,今天的位置。

鐘樓呈典型明代建築藝術風格,下部爲磚石結構的正方形基座,頂部爲三重四面攢尖頂結構,覆着深綠色琉璃瓦,頂尖用真金鉑包裹。基座四面正中各有高約6米的門洞,門洞間互通,過去是東、南、西、北四條大街交會的通道,人流車輛從門洞通過,如今門洞已封閉,周圍建有公路轉盤,地下有專供人行的通道。

進入鐘樓的入口就在這地下通道內,有樓梯可盤旋登樓。鐘樓內有一口仿製“景雲鍾”,原件鑄於唐睿宗景雲二年(公元720xx年),現在收藏在西安碑林博物館裏。

站在鐘樓上,能夠看到從鐘樓延伸出來的東、南、西、北四條大街,鐘樓周邊西安最繁華的商區、及不遠處的鼓樓。

遊客在遊玩鐘樓時,還能欣賞到美妙的訪古表演,每天日間6場,具體演出時間可詳見官網。在鐘樓和鼓樓之間爲鐘鼓樓廣場,有音樂噴泉。

西安鐘樓的導遊詞 篇7

西安鐘樓,是國內最大、最完整的一座鐘樓,始建於明洪武十七年(公元1384年),鐘樓處於西安的中心地帶,是古城的地標之一,以它爲中心輻射出東、南、西、北四條大街並分別與西安城牆東、南、西、北四門相接。

西安的鼓樓,原先在西邊的廣濟街上,隨着城市中心東移,在明神宗萬曆十年(1582年),將鐘樓遷徙到了鼓樓東邊,今天的位置。

鐘樓呈典型明代建築藝術風格,下部爲磚石結構的正方形基座,頂部爲三重四面攢尖頂結構,覆着深綠色琉璃瓦,頂尖用真金鉑包裹。基座四面正中各有高約6米的門洞,門洞間互通,過去是東、南、西、北四條大街交會的通道,人流車輛從門洞通過,如今門洞已封閉,周圍建有公路轉盤,地下有專供人行的通道。

進入鐘樓的入口就在這地下通道內,有樓梯可盤旋登樓。鐘樓內有一口仿製“景雲鍾”,原件鑄於唐睿宗景雲二年(公元720xx年),現在收藏在西安碑林博物館裏。

站在鐘樓上,能夠看到從鐘樓延伸出來的東、南、西、北四條大街,鐘樓周邊西安最繁華的商區、及不遠處的鼓樓。

遊客在遊玩鐘樓時,還能欣賞到美妙的訪古表演,每天日間6場,具體演出時間可詳見官網。在鐘樓和鼓樓之間爲鐘鼓樓廣場,有音樂噴泉。

西安鐘樓的導遊詞 篇8

鐘樓始建於明朝洪武十七年,原址在廣濟街口。萬曆九年遷址到東西南北四條大街的交匯處,成爲一做綰轂東西、呼應南北的軸心建築。萬曆年間,關中地震道士高承之斷言,有萬年鰲魚在地下作怪,於是知府將鐘樓遷到現址震住妖孽作祟的穴口,從此西安天下太平,萬民樂業。鐘樓正面的楹聯就反應了這段傳說。

明王朝定都南京後,其間還有一次遷都之議。有大臣主張遷都西安,朱元璋曾有些心動,專門派太子朱標赴西安實地勘察,選擇宮室基址,並繪製陝西地圖進獻。太子朱標從陝西回到南京後,呈獻了陝西地圖給父皇朱元璋,並詳細介紹了西安的地理優勢,認爲:“舉天下莫關中若也,天下山川惟秦地號爲險固”,提議遷都西安 。但不久太子朱標英年早逝,此時朱元璋已經年邁,這位晚年喪子的老人心力憔悴,遷都之事不了了之,但西安鐘樓已按照皇家建築級別建成。

鐘樓建成198年後,經歷了一場整體搬遷。這次東遷是與西安城市發展的東擴有關,鐘樓二樓西牆上,嵌有一方《鐘樓東遷歌》碑,記述了這座巨大建築整體遷移的過程。

鐘樓初建時的位置在西大街以北廣濟街口的迎樣觀,與南北城門正對,是城市的中心。這一位置正在唐長安城的中軸線上,也是五代、宋、元時長安城的中心。然而,在其後的二百年間,西安城不斷擴建,在原來的基礎上,向東、向北各擴建了近四分之一的面積,隨着城市中心東移,城門改建,新的東、南、西、北四條大街形成,位於迎祥觀的鐘樓便日益顯得偏離城市中心。明神宗萬曆十年(1582年),由巡撫御使龔懋賢主持,將鐘樓整體遷移於今天的地址,成爲一座綰轂東西、呼應南北的軸心建築。

西安鐘樓的導遊詞 篇9

尊敬的各位遊客:

大家好!很高興和大家見面,大家就叫我常導吧。接下來就和我一起參觀西安鐘樓吧!

鐘樓位於西安市中心,東南西北四條大街的交匯處。看,在我們眼前的兩層建築就是鐘樓,它由基座、樓身和樓頂三部分組成。鐘樓高36米,是古色古香的磚瓦結構,四角挑檐翹起,凌空欲飛,樓頂有各色玻璃瓦鮮豔奪目,美麗極了。鐘樓四周鮮花環繞,增添了歡樂的節日氣氛。

基座是由巨大的城磚築成,沿着基座北面的樓梯而上,我們便來到鐘樓樓身觀光臺,首先映入我們眼簾的是一口青色的明代大鐘,重五噸,裏面能容納五六個人,鐘面上雕刻着精美的八卦圖案,渾厚洪亮的鐘聲好像悶雷滾動,告訴周邊的人們新一天的到來;如今,鐘聲祈禱老人的長壽、可以讓小孩健康快樂……一跨入展廳大門,就看見三排鍾從小到大的排列着,其中的一排鐘形狀大小一模一樣,但一排和一排形狀不同;周圍還有許多美麗的水墨畫和剛勁有力的書法,鍾和書畫向我們展現了明代人的技藝高超。站在鐘樓上極目遠眺,東南西北四條大街人來人往,車水馬龍,熱鬧非凡。

今天,我很高興爲大家服務。鼓樓和鐘樓遙相呼應,使古城西安更加美麗,下次有機會再帶大家一起參觀西安鼓樓。

西安鐘樓的導遊詞 篇10

Today we are going to visit Xi'an city wall, bell tower and Drum 's a great honor to serve you.

The ancient castle we see now is the city wall of Xi'an in Ming Dynasty,which was built on the basis of Chang'an Imperial City in Tang Dynasty in theearly Ming Dynasty. It is one of the most famous city walls in the history ofthe late Middle Ages in China. It is the largest and most complete defensefacility of ancient military castle in the world.

Xi'an, as an ancient capital for thousands of years, has built city wallsmany times in the past dynasties. Most of them are buried in the dust ofhistory. The wall we see now can be traced back to the Sui Dynasty. In 1369 ad,Xu Da, a general of the Ming Dynasty, entered Shaanxi from Shanxi and changedthe original Fengtian road to Xi'an, which means "long-term stability in thewest". It opened the prelude of building the city wall in Xi'an in Ming shape of the wall, which took eight years to build, is a rectangle. The wallis 15 meters high, 12-14 meters wide at the top, 16-18 meters wide at thebottom, and 13.9 kilometers long. The bottom layer is made of loess, lime andglutinous rice juice. After drying, it is very strong.

The ancient city wall of Xi'an includes a series of military facilitiessuch as moat, suspension bridge, gate tower, arrow tower, main tower, cornertower, enemy tower, parapet, crenel, etc. Well, now let's feel for ourselves thescientific, rigorous and complete military defense system.

The most peripheral part of the city wall is the moat, also known as the"moat", which is the first line of defense of the city wall. It can block theenemy's attack and even take advantage of the favorable terrain to destroy theenemy. The moat around the city wall of Xi'an is 20 meters wide. Crossing themoat is the gate, and the only channel connecting the moat and the gate is thesuspension bridge. At ordinary times, the soldiers obeyed the command of themorning bell and the evening drum. In the morning, they lowered the suspensionbridge to open the city gate; in the evening, they raised the suspension bridgeto cut off the traffic. Once there is a war, the suspension bridge rises and thegate is closed, the gate becomes a solid and closed Battle Fortress.

City gate is the key and weak point of city defense system. Usually, it isthe access to the city. In a war, it is the primary target for both efore, the Ming Dynasty attached great importance to improving the defensefacilities of the city gate. One of the most remarkable technologicalbreakthroughs is the use of the arched gate to prevent the enemy from attackingby fire. The gate of Xi'an City in the Ming Dynasty was very strong. The doorleaf was made of 16 cm thick wood. One gate was made of 2.8 cubic meters ofwood. The door leaf was reinforced with iron bars, and 180 iron mushroom needleswere nailed between the two iron bars. There are 1800 iron mushroom needles onthe whole door leaf. In this way, the wood of the door leaf is compacted, andthe stiffness of the door leaf is increased, so that the arrow can not be shotin.

In order to improve the security coefficient of the city gate defense, thecity gate is actually composed of three parts: Gate Tower, arrow tower and mainbuilding. The gate building is on the outside, and its function is to lift thesuspension bridge. It's also used to play watch. When the enemy invades the gateof the gate tower, it seems to enter the urn. They will be attacked from allsides. Therefore, the space downstairs is also called "urn city". The archerytower is in the center, with windows on the front and on both sides for archery tower and archery tower are connected by a wall, which is alsocalled "Wengcheng" and can garrison troops. The main building is in theinnermost part. The tower above the main building is the main building of thecity gate, which is the commanding place of the general. Outside the city wall,there is an enemy platform protruding from the main body of the city wall every120 meters, commonly known as "horse face". There are 98 "horse faces" on thewhole city wall. The building above the "horse face" is called the enemy distance between the two enemy platforms is 120 meters, and one side of itis 60 meters, which is "a stone's throw". This layout makes it easy to shoot theenemy from the side. Therefore, the ancients commented: "if there is a citywithout a platform, it is just like there is no city. The city is the guardian,and the platform is the guardian.". On the outside of the city wall, there aredwarf pheasants, also known as "pile wall", with crenels and square holes forarchery and watching. The low wall on the inside is called "parapet" to preventsoldiers from falling under the wall when they walk. In the four corners ofXi'an city wall, there is a tower called "turret". In the urn formed by thearrow tower and the main tower, there is a horse road leading to the head of thecity, which is convenient for the horses to go up and down. During the war, thisis the throat of the deployment of troops, and we must ensure that there is noobstruction. So the guard is very strict.

With the change of time, we can see Changle gate, Anding gate, Zhuque gate,Hanguang gate, Yuxiang gate and so on. The origin of these names also reflectsthe ups and downs of the ancient city. The city wall of Xi'an in the MingDynasty shows the wisdom of the ancient working people of our country. OK, thecity wall of Xi'an is here. We will continue to take you to visit the bell andDrum Tower.

The bell tower and drum tower are the unique buildings in ancient Chinesecities. Bell and drum are the earliest percussion instruments in China, with ahistory of more than 3020__ years. Initially used as ritual and musicalinstruments. It has been used in military command since the spring and Autumnperiod. Ancient Chinese cities have the nature of military castles. In additionto building walls around the city, digging trenches and setting up suspensionbridges, there are also bell and drum towers built in the center of the city asthe command center. At ordinary times, it reports the time by morning bell andevening drum, opens and closes the suspension bridge regularly, and it is usedto warn the police and command the city defense in case of emergency. This tighturban defense system reached its peak in the Ming Dynasty. Xi'an is an importantmilitary and political town in Northwest China in Ming Dynasty. Its bell towerand Drum Tower rank the first in terms of architectural scale, historical valueand artistic value in China.

The building we see now is the bell tower, which is located at theintersection of the four streets in Xi'an. It was built in the 17th year ofHongwu in Ming Dynasty. It was originally located in Yingxiang temple on theWest Street. With the eastward movement of the city center, in 20__ of Wanli ofShenzong of Ming Dynasty, the bell tower was demolished as a whole and moved tothe present site.

The bell tower is a typical architectural style of the Ming Dynasty, with aheight of 36 meters, double eaves and brackets, gorgeous and solemn. It consistsof three parts: base, body and roof. The base is square, all made of greenbricks. The building is a square wooden structure, surrounded by an ambulatoryon the outside and a two-story building on the inside with wooden ladderscircling up. In the square hall on the upper and lower floors of the building,there are various kinds of valuable porcelain and red Phoebe furniture since theMing Dynasty. The four sides of the doors are covered with relief paintings,with a simple and vivid style. The top of the building is a four cornerstructure, covered with green glazed tiles. The top dome is 5 meters high,glittering and brilliant.

On the northwest corner of the bell tower is a Ming Dynasty iron bell,which weighs 5 tons and has eight trigrams on its side. It is much smaller thanthe bronze bell that hung in the bell tower earlier. The giant bell originallyhung in the bell tower is a "Jingyun bell" cast in the Jingyun period of TangDynasty. Now the bell is collected in the forest of Steles in Xi'an. It is saidthat after the bell tower was moved from Yingxiang temple to the present site,although the style and size of the tower have not changed, the Jingyun bell willnever ring. There's no choice but to change. In order to move the jingyunzhongto the new bell tower, an inclined bridge was built in the west section of theWest Street, and the bridge slope was used to transport the jingyunzhong to thebell tower. It is said that "qiaozikou" also got its name.

There are inscriptions on the west wall of the bell tower. Song of the belltower was written by Gong Maoxian, governor of Shaanxi Province, who built thebell tower when he was dismissed and went to Beijing. The bell tower is warmlypraised in the poem. The story of the bell tower was written by Zhang Kai, thegovernor who had built the bell tower. It describes the life experience of thebell tower in detail. On the door of the bell tower, there are 64 woodcut reliefstory paintings, including Mulan joining the army, Chang'e flying to the moon,Liu Yi's biography, Eight Immortals crossing the sea and so on. After thefounding of the people's Republic of China, the people's Government of Xi'ancarried out three large-scale repairs to the clock tower, which made the ancientbuilding glow with its former style.

Far away from the bell tower is the drum tower. The door opening at thebottom of the tower is north-south, leading to the north gate and the SouthDarcy street. The drum tower was built in the 13th year of Hongwu in MingDynasty. It is sister to the bell tower. There is a huge drum on the north sideof the first floor of the drum tower, which forms a late drum with the morningbell on the bell tower, so it is called the drum tower. The building isrectangular. The height and width of the door opening on the base are 6 meters,and the depth is 38 meters. The drum tower is built with double eaves and threedrops of water. The building is divided into upper and lower floors. There aretwo plaques under the eaves of the north and the south. In the south, theEmperor Qianlong of the Qing Dynasty engraved a book with his pen: "the land ofculture and military prosperity", and in the north, Li yunkuan, a scholar ofXianning County, wrote "the sound is heard in the sky". In the outer eaves ofthe drum tower are decorated with Dou Gong, surrounded by corridors. The ceilingis painted with cloud pattern, antique, very beautiful. Bell and drum towerscomplement each other, making the ancient city of Xi'an more beautiful andspectacular. Well, this is the end of the tour of the bell and Drum Tower. Thankyou!

西安鐘樓的導遊詞 篇11

今天我們將去參觀西安城牆、鐘樓和鼓樓。很榮幸能爲大家服務。

我們現在看到的這座古城堡就是明西安城牆,是明初在唐長安皇城的基礎上建築起來的。它是我國中世紀後期歷史上最著名的城垣之一,是世界上現存規模最大、最完整的古代軍事城堡防禦設施。

西安作爲千年古都,歷代曾多次修築城牆。它們多數被歷史的塵埃掩埋。我們現在看到的城牆可追溯到隋代。公元1369年,明王朝大將徐達從山西進入陝西,將原來的奉天路改爲西安,意爲“西方長治久安”。拉開了明在西安修築城牆的序幕。歷時8年修築完的城牆外形是一座長方形。城牆高15米,頂寬12―14米,底寬16―18米,周長13.9公里。最底層用黃土與石灰、糯米汁拌合而成,乾燥之後,異常堅固。

西安古城牆包括護城河、吊橋、閘樓、箭樓、正樓、角樓、敵樓、女兒牆、垛口等一系列軍事設施。好了,現在讓我們親自來感受這座科學、嚴密、完整的軍事防禦體系。

城牆最外圍是護城河,也叫“城壕”,是城牆的第一道防線。它可以阻滯敵人進攻,甚至可以利用有利地形把敵人趁機消滅。環繞西安城牆的護城河寬20米,跨過護城河就是城門,而連接護城河與城門的唯一通道就是吊橋。平時,守城士兵聽從晨鐘暮鼓的指揮,早晨降下吊橋,開啓城門;晚上升起吊橋,斷絕交通。一旦發生戰爭,吊橋升起,城門緊閉,城門就成爲堅固封閉的戰鬥堡壘。

城門是城防體系的重點,也是薄弱點。平時,它是出入城市的通道。戰爭時,又是攻守雙方爭奪的首要目標。因此,明代十分重視完善城門防禦設施。尤其值得注意的一大技術突破是採用了券拱式城門,以防止敵人火攻。明西安城的城門非常堅固,門扇用厚達16釐米的木板製成,一扇城門用木材2.8立方米,門扇上下橫匝着鐵條加固,每兩道鐵條的間隔處,釘有180枚鐵蘑菇針。整個門扇上共有1800枚鐵蘑菇針。這樣就擠密了門扇的木材,增加了門扇剛度,使箭矢無法射入。

爲了提高城門防禦的保險係數,城門實際上由三重組成,即:閘樓、箭樓和主樓。閘樓在最外,它的作用是升降吊橋。兼用來打更。敵人攻入閘樓城門,好似進入甕內,會受到來自四面居高臨下的攻擊,因此樓下這一空間也叫“甕城”。箭樓在正中,正面和兩側都有窗戶,供射箭用。箭樓與箭樓之間用圍牆連接起來的也叫“甕城”,可屯兵。正樓在最裏,正樓上面的城樓是城門的主體建築,是主將鎮守指揮所在。城牆外側,每隔120米有一個突出於城牆主體之外的敵臺,俗稱“馬面”。整個城牆上共有“馬面”98座,“馬面”上面的建築叫敵樓,兩個敵臺之間相距120米,而它的一面爲60米,爲“一箭之遙”。這樣的佈局便於從側面射殺攻城的敵人。因此,古人有評論說:“有城無臺,亦如無城,是城所以衛人,臺又所以衛城也。”。城牆上外側有矮雉,又稱“垛牆”,上有垛口和方孔,可供射箭和嘹望。內側的矮牆稱爲“女兒牆”,是爲了防止士兵行走時墜入牆下。在西安城牆四角各有一座城樓叫“角樓”。在箭樓與正樓形成的甕城中,有通向城頭的馬道,便於戰馬上下。戰爭期間,這裏是調兵遣將的咽喉要道,必須保證暢通無阻。因此守衛異常嚴格。

隨着歲月的變遷,現在我們可以看到西安城牆的`長樂門、安定門、朱雀門、含光門、玉祥門等等,這些名稱的來歷也從一個側面反映了古城沉浮衰興。明西安城牆顯示了我國古代勞動人民的聰明才智,好了,西安城牆就參觀到這裏,我們將繼續帶大家去參觀鐘鼓樓。

鐘樓和鼓樓是古代中國城市的特有建築。鍾與鼓本是中國最早出現的打擊樂器,有3000年以上的歷史。最初作爲禮器和樂器。大約自春秋時期,開始用於軍事指揮。古代中國城市兼有軍事城堡性質,除城市四周構築城牆,挖掘城壕,設置吊橋外,與之配套的還有在城市中心修築鐘鼓樓作爲指揮中樞。平時以晨鐘暮鼓報告時辰,定時啓閉吊橋,緊急狀態時用以報警戒嚴,指揮城防。這種嚴密的城市防禦系統在明代發展到頂峯。西安是明代西北軍政重鎮,它的鐘樓和鼓樓無論從建築規模、歷史價值或藝術價值各方面衡量,都居全國同類建築之冠。

我們現在看到的這座建築就是鐘樓,位於西安市東西南北四條大街的交匯處,它建於明洪武十七年,最初位於西大街的迎祥觀,隨着城市中心的東移,到了明神宗萬曆10年,將鐘樓來了個整體拆遷,遷至今址。

鐘樓呈典型明代建築藝術風格,樓高36米,重檐斗拱,華麗莊嚴。由基座,樓身和樓頂三部分組成。基座是正方形,全部用青磚砌成。樓身爲正方形木質結構,外面以迴廊環繞,裏面爲二層樓,樓內有木梯盤旋而上。樓內上下兩層正方形大廳裏,陳列着明代以來各種名貴瓷器及紅楠木傢俱,四面門上佈滿浮雕畫,風格厚朴生動。樓頂爲四角攢尖結構,上面覆蓋着碧綠色的琉璃瓦,頂端大圓頂高5米,金光閃閃,輝煌燦爛。

鐘樓的西北角上陳列着一口明代鐵鐘,重5噸,鍾邊鑄有八卦圖案。它比鐘樓早先懸掛的銅鐘小得多。鐘樓原先懸掛的巨鍾是唐代景雲年間鑄造的“景雲鍾”。現在這口鐘收藏於西安碑林。據說,鐘樓從迎祥觀遷到今址後,雖然樓的式樣大小並沒有改變,但景雲鍾卻怎也敲不響了。沒有辦法,只有另換。爲了將景雲鍾移到新建的鐘樓上,當年在西大街西段搭起一座斜橋,利用橋面斜坡把景雲鍾運到了鐘樓上。據說“橋梓口”也因此而得名。

鐘樓內西牆上嵌刻有《鐘樓歌》和《鐘樓記》碑刻。《鐘樓歌》是當年修建鐘樓的陝西巡撫龔懋賢在解職赴京時登樓所賦。詩中對鐘樓做了熱情的讚頌。《鐘樓記》是督修過鐘樓的巡撫張楷所作,詳細記述了鐘樓的身世。在鐘樓的門上有木刻浮雕故事畫共64幅,其中有木蘭從軍、嫦娥奔月、柳毅傳書、八仙過海等等。建國後,西安市人民政府又對鐘樓進行了三次大規模修葺,使這座古建築又煥發了昔日的風采。

與鐘樓遙遙相對的是鼓樓,樓底門洞爲南北向,北通北院門,南達西大街。鼓樓建於明洪武十三年,與鐘樓是姊妹樓。在鼓樓的第一層北面有一面巨鼓,與鐘樓上的晨鐘形成暮鼓,所以稱爲鼓樓。樓體呈長方形,基座的門洞高與寬均爲6米,洞深38米。鼓樓建築爲重檐歇山式,琉璃瓦覆頂,重檐三滴水。樓分上、下兩層。南北檐下各有一塊匾,南爲清乾隆皇帝御筆刻書:“文武盛地”,北爲咸寧縣書生李允寬書寫“聲聞於天”。在鼓樓的外檐都飾有斗拱,四面有迴廊。天花板上油漆彩繪雲形圖案,古色古香,十分美麗。鐘鼓樓交相輝映,使古城西安更加美麗壯觀。好了,鐘鼓樓的參觀到這裏就結束了。謝謝大家!

西安鐘樓的導遊詞 篇12

Hello, everyone. I'm the tour guide along the bell tower and the city bell of __ bell tower interprets the simplicity of the ancient city of Xi'anand the richness of this historical ancient city. In the next few days, whileenjoying the scenery along the walls of the bell and Drum Tower, you can alsofeel the other side of the charm of the ancient city of Xi'an, that is, Xi'an'sfood culture. Speaking of Xi'an's food, can you tell us what are the more famoussnacks in Xi'an?

Xi'an's food culture is full of rich northwest customs. Tasting Xi'an'ssnacks is a great pleasure to visit Xi'an. Whether it's mutton steamed bun,which has always been loved by Xi'an people, or the famous "Xi'an DumplingBanquet" at home and abroad, it has distinctive local characteristics.

On my right hand side are two buildings imitating Ming and Qing Dynasties.I wonder if you have noticed the striking sentence on the building: "eternalflavor dumpling fragrance, legendary quality tefachang". Yes, this is thewell-known Chinese time-honored tefachang at home and abroad. Tefachang isfamous for its dumpling feast. If you want to taste it, you can go with eachother to feel the extraordinary things of DeFaChang after our trip. At the sametime, I also tell you a very unfortunate thing: I haven't tasted the dumplingshere! But I think since it has the name of eternal flavor, it must be worthy ofits name. After finishing the dumplings, some people will ask where the muttonsteamed bun is Is there any place for sale? Please follow me. We can clearly seethat there is a restaurant with the same architectural style next to DeFaChang -tongshengxiang. At the gate of tongshengxiang, we will inadvertently notice asculpture. Can you tell which of the eight monsters in Shaanxi is displayed bythis sculpture? (don't sit up on the stool.) tongshengxiang is mainly engaged inbeef and mutton steamed buns, various special snacks, and integrates traditionalcharacteristics with modern fashion. So when you come to this place for dinner,I think you will feel the diversity of Xi'an culture Colorful!

Through the bell and Drum Tower Square, we now arrive at the magnificentand elegant Drum Tower. On both sides of the street are antique buildings, andthere are all kinds of famous Xi'an snacks. So I want to ask you, what is themost famous snack street in Xi'an? It goes without saying that it is the Huisnack street. If tourists come to Xi'an have a chance to come to the Hui snackstreet I think it's not only because of the huge number of food shops andjewelry shops on both sides of the street, but also because of the profoundcultural connotation of the street.

Huimin Street generally refers to the North-South street from Gulou toBeiyuanmen, but sometimes it also includes Huajue lane, Xiyang city andDapiyuan. As the name suggests, Hui Street is a place where Hui people livetogether. Xi'an Huimin street is a street in Huimin District, about 500 meters,characterized by bluestone paving and green trees

Chengyin, on both sides of the road are antique buildings imitating theMing and Qing Dynasties. The shops on both sides are mainly engaged in cateringand some accessories with Shaanxi characteristics, and they are all operated byHui people, with strong halal characteristics, which are deeply loved by foreigntourists.

The restaurants you see on both sides of the street are authentic Muslimhotels. There are several famous restaurants, such as halal Pingwa barbecueshop, Jia Sanguan soup bag, fried rice with red and red pickled cabbage,Laosun's mutton steamed bun in Dapiyuan, etc. There is also an interestinglegend about Xi'an mutton steamed bun. It is said that Zhao Kuangyin, theemperor of the Song Dynasty, was trapped in Chang'an before he became lived a life of drinking and starving all day. One day he came to a shop thatwas cooking beef and mutton. The shopkeeper saw that he was very pitiful, so heasked him to break his own dry steamed bun. Then the shopkeeper poured aspoonful of boiling broth and put it in the kitchen Cook well on the fire. ThenZhao Kuangyin ate the meal, and he felt that it was the best food in the r, Zhao Kuangyin became emperor. One day, when he passed Chang'an, he stillcould not forget the beef and mutton steamed buns he had eaten here. He went tothis restaurant with the Minister of culture and military to eat a bowl of beefand mutton steamed buns. After eating, he still felt delicious, so he rewardedthe shopkeeper. Since then, as soon as the story of the emperor eating paomospread, beef and mutton paomo has become a famous snack on Chang'an Street. SuDongpo, a great writer of the Northern Song Dynasty, once wrote a hymn that"there is Xiong La in Longxi, and only sheep soup in Qin cuisine". So if youhave a chance, you must taste the local folk flavor.

In fact, in the street of Hui people's snacks, there are many ornamentswith local characteristics for you to choose from. You can see that theseornaments are full of variety. For example, there are terracotta warriors andhorses ornaments, the eighth wonder of the world. You can buy one or two as amemorial to Xi'an. At the same time, we can notice that there are manychildren's tiger shoes, big red hats and so on. As we all know, red representsauspiciousness and Ruyi, so I think it is necessary for you to buy somesouvenirs in Huimin street.

Just now we said that the Hui people's snack street has a profound culturalconnotation. Who knows its origin? As early as more than 1000 years ago in theHan Dynasty, the Hui people's street once served as the starting point of theSilk Road, welcoming merchants, envoys and students from ancient Arabia, Persiaand other places. So these people are the later Hui people. According tohistorical records, many people along the silk road came to the bustling city ofChang'an, where they did business, studied abroad, and became officials. Today,it has become a community of more than 60000 Hui Muslims. As a place for theinheritance of Islamic culture, there are still many cultural relics of the TangDynasty, such as the light gate, the west gate gate group of the Ming Dynasty,many well preserved mosques and Taoist Town God's Temple, five Buddhist temples,and the Lamaism Guangyuan temple. Many streets in the block have a strongIslamic style, with Muslim Food City, ethnic shopping center, mosque and Muslimliving area.

As you can see now, the temple is located in Huajue lane. It was built inthe first year of Tianbao, Xuanzong of Tang Dynasty. It has a history of morethan 1200 years. After several renovations and extensions in song, yuan, Mingand Qing Dynasties, it gradually formed a huge ancient architectural complexwith the style of Ming and Qing Dynasties, which is large-scale, compact,harmonious and solemn. Its architectural style embodies the organic unity ofIslamic culture and Chinese traditional architectural art. It is one of the mostdistinctive, well preserved and typical Chinese style mosques in China so temple is divided into five courtyards, covering an area of 13000 squaremeters. After 30 years of renovation by the government and the temple, not onlythe original appearance of the temple has been maintained, but also a lot of newMing and Qing buildings in line with the style of the temple have beenadded.

It is believed that through the effective protection of the culture in thisarea, Xi'an Hui historical district will become a tourist attraction that canreflect the cultural characteristics, loess culture and Muslim culture ofXi'an.

Next, we will go to our next stop - Xi'an ancient city wall. On the way tothe ancient city wall, I will briefly introduce the scenic spots along the is worth mentioning is the ancient culture street,

From the south of the bell tower in Xi'an, when you get to the south gate,and then turn east, you can see the ancient culture street of Shuyuan e is a tall archway with ancient charm at the entrance of the street. Abovethe archway are three gold faced characters of "Shuyuan gate". On both sides areeye-catching couplets of "the forest of Steles collects national treasures, andthe Academy cultivates outstanding people". From this couplet, we can easily seethe theme of the street. Obviously, the gate of the academy has more poeticcharm than the Hui snack street we just introduced. If you are interested, youcan visit the gate of the Academy. Maybe you will have more harvest here.

That's all for the explanation from the bell and drum tower to the citywall. If you don't know anything else, just ask me, and I'll try my best toanswer it for you. At the same time, I sincerely hope you can have a good timein Xi'an!

西安鐘樓的導遊詞 篇13

我們現在看到的就是鐘樓。鐘樓位於市中心東、西、南、北四條大街的交會處,它建於明洪武十七年 (1384年),當時鐘樓的位置並不在現在這個地方,那麼它在哪兒呢?請大家順着我手指的方向看,那座與鐘樓遙相呼應的樓就是鼓樓,鐘樓最初的位置在鼓樓以西的迎祥觀內。迎祥觀是唐朝一座非常著名的道觀,唐睿宗李旦爲了給自已的母親過壽,特製了一口鐘安放在迎祥觀內。隨着城市的發展,西安城不斷地擴建,鐘樓就偏於城西,不再居於城市中心了。在這種情況下,公元1582年明政府就將鐘樓遷移至今天的位置。

鐘樓的主要作用就是擊鐘報時。每天清晨,當鐘聲響起,四個城門就打開,人們就開始了一天的辛勤勞作,傍晚鼓樓的鼓聲一響,人們就回到城裏關閉城門,這就是大家常說的“晨鐘暮鼓”。過去用來報時的鐘是唐睿宗李旦在景雲二年(720xx年)命人制作的,取名“景雲鍾”。景雲鍾紋飾精美,線條流暢,聲音洪亮,充分表現出了唐代工匠高超的鑄鐘水平,原鐘現收藏在西安碑林石刻藝術博物館。大家現在看到的這口鐘是景雲鐘的複製品,它的體態、大小、重量、紋飾與原景雲鍾都是相同的。現在讓我們大家一起來欣賞一下,請看鐘紐部分:據傳海中有一種大獸叫蒲牢,它雖然兇猛,但是非常害怕鯨魚,每當鯨魚攻擊它,它就會拼命大叫,由於它的叫聲非常響亮,人們在鑄鐘的時候就將它縛在鐘上,以祈求鐘聲洪亮,我們大家可以想像一下,鍾就像張着大嘴的蒲牢,撞鐘之木就像鯨魚,鯨魚咬一口,蒲牢叫一聲,鯨魚咬得越急,蒲牢叫得越響,如果哪位朋友不信,可以來試試。關於蒲牢還有另外一種說法,說“蒲牢”是龍王爺的第九個兒子,龍生九子各有所好,這位蒲牢平素愛大聲喊叫,聲音非常洪亮,因此鐘紐常常做成蒲牢的樣子,希望能使鐘聲洪亮,總之有了蒲牢,鐘聲就會洪亮,這是無可置疑的事了。

再來看看鐘面,這裏有龍、鳳、鶴、獅、獨角牛,以及飛天、彩雲、蔓草等,花紋線條流暢、首尾相接,它們分別代表着道教法規、富貴權勢、天上人間,以及現世未來,是一幅集福、權、貴爲一體的宗教紋飾畫,特別珍貴的是這篇唐睿宗李旦親筆所書的銘文。李旦的真跡共有三處:孔子廟堂碑、順陵碑以及景雲鍾銘文。因孔子廟堂碑和順陵碑都己被毀,所以現在李旦的真跡就僅存景雲鍾銘文一處了。這篇文章的內容主要講述了道教的玄妙,以及景雲鐘的製作,無論是從書法的角度,還是從文章的內容來看,都是一篇不可多得的佳作。

讓我們回過頭來,看看這座坐落於四條大街交會處己600多年的鐘樓吧,我們先從屋檐講起,大家站在這裏可以看到鐘樓有三層屋檐,其實它只有兩層,也就是說在二樓是一層樓兩層檐,那麼爲什麼要把屋檐做得這麼複雜呢?因爲在封建社會裏屋檐有着非常嚴格的等級制度,重檐就是統治階級爲了提高自己的尊嚴和權威而獨佔的一種形式,就是同樣的重檐屋頂也有着最尊與次之的區別,重檐廡殿爲最尊,比如北京故宮的“太和殿”,重檐歇山次之,比如北京天安門。鐘樓採用的四角攢尖頂形式,這種形式最早出現在北魏石窟的石塔雕刻上,此外在宋畫中也可以看到不少的樓、臺、亭、閣採用這種形式,到了明清這種形式就更加興盛起來。大家站在這裏可以看到,四周的建築都很漂亮,可這在過去是完全行不通的。普通老百姓蓋房子只能蓋單檐房屋,重檐在皇家建築裏才能出現。也許有的朋友已經注意到了,在屋頂的四翼角戧脊上有一排動物形狀的構件,這就是人們常說的仙人、走獸。我們依次來看一下:第一個是仙人,在它後邊分別是行龍、飛鳳、行獅、天馬、海馬、飛魚、押魚,這幾種走獸都有其一定的寓意。龍風代表至高無上的尊貴;獅子是獸中之王、鎮山之王;天馬、海馬象徵皇家的威德通天入海、暢達四方;飛魚、押魚是海中異獸,據說可興雲作雨、鎮火防災。建築工匠們巧妙地將政治象徵、藝術裝飾和實用構件統一在一起,充分顯示了他們的聰明才智。

我們再往下看,在柱子上樑枋與屋頂的構架部分之間可以看到有一層用小塊木料拼合成的構件,它們均勻地分佈在樑枋上,支挑着伸出的屋檐,這種構件稱爲斗拱,它是中國古代木結構建築上的一種特有的構件。爲什麼叫斗拱呢?在柱子與樑枋上因爲要挑出屋頂伸出的屋檐,故需要有一種構件托住屋檐下的仿和椽。古代工匠用弓形的短木從柱子和樑上伸出,一層不夠再加一層,弓木層層挑出,使屋檐得以伸出屋身之外,這種弓形短木稱爲拱;在兩層拱之間用方木塊相墊,小方木形如鬥,所以這種用多層拱與鬥結合成的構件即稱爲斗拱。斗拱用在屋檐下可以使屋頂的出檐加大,用在樑枋兩端下面,則可以減小樑枋的跨度,加大梁枋的承受力。斗拱的確是一種很奇特的構件,一塊塊小木料組合起來居然可以挑托起那麼沉重、那樣深遠的屋檐,這是我國古代工匠一項了不起的創造。

建築首先作爲一種物質財富,也和其他物質一樣,在人類創造的過程中,不但產生了物質的軀體,同時也產生了美的形象,在房屋的整體和房屋各種構件的製作中,人們都對它進行程度不同的美的加工,裝飾就是這樣開始在建築上出現的。古建築的門窗是與人接觸最多的部分,在它們身上自然集中地進行了多種裝飾處理。大家現在看到的格子門,門扉上都有木刻浮雕,內容有生動感人的民間傳說、回味無窮的歷史故事,樓上樓下加起來共有64幅,若朋友們感興趣,不妨仔細研究一下, 看看您能猜對多少。

進入鐘樓一樓大廳。首先請大家擡興看:頂部一個個的木方框叫天花,中央圓形的叫藻井。爲了不露出建築的樑架,古代工匠常常在樑的下方用天花枋組成一個一個的木方框,上面貼有彩色圖案的紙,或者直接在上面施彩繪。鐘樓的天花都是直接施彩繪的,共184塊,有豔麗的牡丹,有素雅的水仙,有傲雪的紅梅,有清幽的蘭花,一年四季就在這小小的四方之間爭嬌鬥奇。在講藻井之前,我想先請朋友們猜一猜,這是一個什麼圖案呢?有朋友說這是城市的中心點,還有朋友說是雲彩,我給大家講一個民間流傳的故事,聽完後大家就會明白了:傳說關中地區過去常鬧水災,每一年都會發生一次,有位道十看過風水後說:鐘樓東半里,地下有一川口,川口裏有一條大鰲魚,每一年這條大鰲魚都會按時出來呼吸新鮮空氣,它這一露頭,關中地區便會汪洋一片,知縣得知這一消息後,便命工匠將原鐘樓拆除,在它的東半里,一個十字交叉路口處重新建了一座鐘樓,鐘樓建好後,果然再也沒有發生過水災,因此工匠在施藻井彩繪的時候,就做了這樣一幅“霞光萬道”圖,大家看這幅圖案像不像太陽照在井眼裏泛出的七色波紋呢?這正是:鍾號景雲鳴綵鳳,樓雄川口鎖金鰲。

西安鐘樓的導遊詞 篇14

Good morning, everyone. Welcome to the ancient city of Xi'an. Nice to meetyou. I'm your tour guide this time. My name is Xu chenxuan. Just call me Xu Daoor Chen Xuan. Now let's start the journey of Xi'an ancient city wall!

First of all, I would like to briefly introduce the ancient city wall ofXi'an. The ancient city wall of Xi'an is also called Xi'an Ming city wall. It islocated in the central area of Xi'an, Shaanxi Province. The height of the wallis 12 meters, the top width is 12-14 meters, the bottom width is 15-18 meters,and the outline is a closed rectangle with a perimeter of 13 meters. 74kilometers. The city wall is used to be called the ancient city area, with anarea of 11 square meters. With an area of 32 square kilometers, the famous belland Drum Tower in Xi'an is located in the center of the ancient city.

In front of us is the main gate of the city wall. There are four gates likethis: Changle gate (East Gate), Yongning gate (South Gate), Anding gate (WestGate) and Anyuan gate (North Gate). The four gates were the original gates ofthe Ming city wall. Because of the military and defense needs at that time, theywere all single door caves, and they all built three walls, and Weng city wasformed between the two walls. So far, except Yongning gate, only two walls areleft in the other three gates.

OK, here's your free time. Please gather here in an hour.

At the end of this tour, thank you for your support to my work. I wish youall good health and good luck. Goodbye in the future.

西安鐘樓的導遊詞 篇15

Good morning, everyone. Welcome to the ancient city of Xi'an. Nice to meetyou. I'm your tour guide this time. My name is Xu chenxuan. Just call me Xu Daoor Chen Xuan. Now let's start the journey of Xi'an ancient city wall!

First of all, I would like to briefly introduce the ancient city wall ofXi'an. The ancient city wall of Xi'an is also called Xi'an Ming city wall. It islocated in the central area of Xi'an, Shaanxi Province. The height of the wallis 12 meters, the top width is 12-14 meters, the bottom width is 15-18 meters,and the outline is a closed rectangle with a perimeter of 13 meters. 74kilometers. The city wall is used to be called the ancient city area, with anarea of 11 square meters. With an area of 32 square kilometers, the famous belland Drum Tower in Xi'an is located in the center of the ancient city.

In front of us is the main gate of the city wall. There are four gates likethis: Changle gate (East Gate), Yongning gate (South Gate), Anding gate (WestGate) and Anyuan gate (North Gate). The four gates were the original gates ofthe Ming city wall. Because of the military and defense needs at that time, theywere all single door caves, and they all built three walls, and Weng city wasformed between the two walls. So far, except Yongning gate, only two walls areleft in the other three gates.

OK, here's your free time. Please gather here in an hour.

西安鐘樓的導遊詞 篇16

各位遊客大家好!

今天我們將去參觀西安城牆、鐘樓和鼓樓。很榮幸能爲大家服務。

我們現在看到的這座古城堡就是明西安城牆,是明初在唐長安皇城的基礎上建築起來的。它是我國中世紀後期歷史上最著名的城垣之一,是世界上現存規模最大、最完整的古代軍事城堡防禦設施。

西安作爲千年古都,歷代曾多次修築城牆。它們多數被歷史的塵埃掩埋。我們現在看到的城牆可追溯到隋代。公元1369年,明王朝大將徐達從山西進入陝西,將原來的奉天路改爲西安,意爲“西方長治久安”。拉開了明在西安修築城牆的序幕。歷時8年修築完的城牆外形是一座長方形。城牆高15米,頂寬12—14米,底寬16—18米,周長13.9公里。最底層用黃土與石灰、糯米汁拌合而成,乾燥之後,異常堅固。

西安古城牆包括護城河、吊橋、閘樓、箭樓、正樓、角樓、敵樓、女兒牆、垛口等一系列軍事設施。好了,現在讓我們親自來感受這座科學、嚴密、完整的軍事防禦體系。

城牆最外圍是護城河,也叫“城壕”,是城牆的第一道防線。它可以阻滯敵人進攻,甚至可以利用有利地形把敵人趁機消滅。環繞西安城牆的護城河寬20米,跨過護城河就是城門,而連接護城河與城門的唯一通道就是吊橋。平時,守城士兵聽從晨鐘暮鼓的指揮,早晨降下吊橋,開啓城門;晚上升起吊橋,斷絕交通。一旦發生戰爭,吊橋升起,城門緊閉,城門就成爲堅固封閉的戰鬥堡壘。

城門是城防體系的重點,也是薄弱點。平時,它是出入城市的通道。戰爭時,又是攻守雙方爭奪的首要目標。因此,明代十分重視完善城門防禦設施。尤其值得注意的一大技術突破是採用了券拱式城門,以防止敵人火攻。明西安城的城門非常堅固,門扇用厚達16釐米的木板製成,一扇城門用木材2.8立方米,門扇上下橫匝着鐵條加固,每兩道鐵條的間隔處,釘有180枚鐵蘑菇針。整個門扇上共有1800枚鐵蘑菇針。這樣就擠密了門扇的木材,增加了門扇剛度,使箭矢無法射入。

爲了提高城門防禦的保險係數,城門實際上由三重組成,即:閘樓、箭樓和主樓。閘樓在最外,它的作用是升降吊橋。兼用來打更。敵人攻入閘樓城門,好似進入甕內,會受到來自四面居高臨下的攻擊,因此樓下這一空間也叫“甕城”。箭樓在正中,正面和兩側都有窗戶,供射箭用。箭樓與箭樓之間用圍牆連接起來的也叫“甕城”,可屯兵。正樓在最裏,正樓上面的城樓是城門的主體建築,是主將鎮守指揮所在。城牆外側,每隔120米有一個突出於城牆主體之外的敵臺,俗稱“馬面”。整個城牆上共有“馬面”98座,“馬面”上面的建築叫敵樓,兩個敵臺之間相距120米,而它的一面爲60米,爲“一箭之遙”。這樣的佈局便於從側面射殺攻城的敵人。因此,古人有評論說:“有城無臺,亦如無城,是城所以衛人,臺又所以衛城也。”。城牆上外側有矮雉,又稱“垛牆”,上有垛口和方孔,可供射箭和嘹望。內側的矮牆稱爲“女兒牆”,是爲了防止士兵行走時墜入牆下。在西安城牆四角各有一座城樓叫“角樓”。在箭樓與正樓形成的甕城中,有通向城頭的馬道,便於戰馬上下。戰爭期間,這裏是調兵遣將的咽喉要道,必須保證暢通無阻。因此守衛異常嚴格。

隨着歲月的變遷,現在我們可以看到西安城牆的長樂門、安定門、朱雀門、含光門、玉祥門等等,這些名稱的來歷也從一個側面反映了古城沉浮衰興。明西安城牆顯示了我國古代勞動人民的聰明才智,好了,西安城牆就參觀到這裏,我們將繼續帶大家去參觀鐘鼓樓。

鐘樓和鼓樓是古代中國城市的特有建築。鍾與鼓本是中國最早出現的打擊樂器,有3020xx年以上的歷史。最初作爲禮器和樂器。大約自春秋時期,開始用於軍事指揮。古代中國城市兼有軍事城堡性質,除城市四周構築城牆,挖掘城壕,設置吊橋外,與之配套的還有在城市中心修築鐘鼓樓作爲指揮中樞。平時以晨鐘暮鼓報告時辰,定時啓閉吊橋,緊急狀態時用以報警戒嚴,指揮城防。這種嚴密的城市防禦系統在明代發展到頂峯。西安是明代西北軍政重鎮,它的鐘樓和鼓樓無論從建築規模、歷史價值或藝術價值各方面衡量,都居全國同類建築之冠。

我們現在看到的這座建築就是鐘樓,位於西安市東西南北四條大街的交匯處,它建於明洪武十七年,最初位於西大街的迎祥觀,隨着城市中心的東移,到了明神宗萬曆20xx年,將鐘樓來了個整體拆遷,遷至今址。

鐘樓呈典型明代建築藝術風格,樓高36米,重檐斗拱,華麗莊嚴。由基座,樓身和樓頂三部分組成。基座是正方形,全部用青磚砌成。樓身爲正方形木質結構,外面以迴廊環繞,裏面爲二層樓,樓內有木梯盤旋而上。樓內上下兩層正方形大廳裏,陳列着明代以來各種名貴瓷器及紅楠木傢俱,四面門上佈滿浮雕畫,風格厚朴生動。樓頂爲四角攢尖結構,上面覆蓋着碧綠色的琉璃瓦,頂端大圓頂高5米,金光閃閃,輝煌燦爛。

鐘樓的西北角上陳列着一口明代鐵鐘,重5噸,鍾邊鑄有八卦圖案。它比鐘樓早先懸掛的銅鐘小得多。鐘樓原先懸掛的巨鍾是唐代景雲年間鑄造的“景雲鍾”。現在這口鐘收藏於西安碑林。據說,鐘樓從迎祥觀遷到今址後,雖然樓的式樣大小並沒有改變,但景雲鍾卻怎也敲不響了。沒有辦法,只有另換。爲了將景雲鍾移到新建的鐘樓上,當年在西大街西段搭起一座斜橋,利用橋面斜坡把景雲鍾運到了鐘樓上。據說“橋梓口”也因此而得名。

鐘樓內西牆上嵌刻有《鐘樓歌》和《鐘樓記》碑刻。《鐘樓歌》是當年修建鐘樓的陝西巡撫龔懋賢在解職赴京時登樓所賦。詩中對鐘樓做了熱情的讚頌。《鐘樓記》是督修過鐘樓的巡撫張楷所作,詳細記述了鐘樓的身世。在鐘樓的門上有木刻浮雕故事畫共64幅,其中有木蘭從軍、嫦娥奔月、柳毅傳書、八仙過海等等。建國後,西安市人民政府又對鐘樓進行了三次大規模修葺,使這座古建築又煥發了昔日的風采。

與鐘樓遙遙相對的是鼓樓,樓底門洞爲南北向,北通北院門,南達西大街。鼓樓建於明洪武十三年,與鐘樓是姊妹樓。在鼓樓的第一層北面有一面巨鼓,與鐘樓上的晨鐘形成暮鼓,所以稱爲鼓樓。樓體呈長方形,基座的門洞高與寬均爲6米,洞深38米。鼓樓建築爲重檐歇山式,琉璃瓦覆頂,重檐三滴水。樓分上、下兩層。南北檐下各有一塊匾,南爲清乾隆皇帝御筆刻書:“文武盛地”,北爲咸寧縣書生李允寬書寫“聲聞於天”。在鼓樓的外檐都飾有斗拱,四面有迴廊。天花板上油漆彩繪雲形圖案,古色古香,十分美麗。鐘鼓樓交相輝映,使古城西安更加美麗壯觀。

好了,鐘鼓樓的參觀到這裏就結束了。謝謝大家!

西安鐘樓的導遊詞 篇17

The bell tower is located at the intersection of the East, West, South andNorth streets in Xi'an. It was used to ring the bell in the early morning inancient times, so it is called the bell tower. Since its completion, the belltower has been regarded as a symbol of the ancient city of Xi'an and is now akey cultural relic protection unit in Shaanxi Province. It is the largest andbest preserved bell tower left over from ancient China. Xi'an is an importantmilitary and political town in Northwest China in Ming Dynasty. Its bell towerranks the first in terms of architectural scale, historical value and artisticvalue in China.

The bell tower was built in 1384. The base of the clock tower is square,covering an area of 1377.4 square meters, 8.6 meters high and 35.5 meters wide,all of which are built with green bricks. The building is of brick and woodstructure, 36 meters high. The external eaves have three layers, but theinternal eaves have only two layers. The eaves of the building have fourcorners, and the eaves are decorated with painted brackets. "Dou Gong" is one ofthe characteristics of ancient wooden buildings in China. It is also unique inthe history of world architecture. It can not only make the building stronger,but also more beautiful. Dougong appeared in Shang Dynasty. We can see acomplete picture of Dougong on the patterns of Chinese bronzes.

Features: the bell tower was built in 1384 A.D. in the 17th year of Hongwureign of Emperor Zhu Yuanzhang of Ming Dynasty. It was named after the iron bellhanging on the tower. When it was first built, it was located at today's Guangjistreet, facing the drum tower. In the 10th year of Wanli reign of emperorShenzong of the Ming Dynasty (1582 AD), Gong Xian, the imperial envoy of xun'an,presided over the relocation of the bell tower. The bell tower is a typicalarchitectural style of the Ming Dynasty, with double eaves and Dougong,high-rise and slightly upturned eaves.

Anecdote of giant Bell: on the northwest corner of the bell tower is a MingDynasty iron bell, weighing 5 tons, with eight trigrams patterns cast on theside of the bell. It was built in the Chenghua period of the Ming Dynasty(1465-1487). But it is much smaller than the bronze bell that hung in the belltower earlier. The huge bell originally hung in the bell tower is the "Jingyunbell" cast in the Jingyun period of the Tang Dynasty (now stored in the forestof Steles Museum). It is said that after moving to the present site, althoughthe style and size of the building have not changed, the Jingyun bell will neverring. No choice but to change.

西安鐘樓的導遊詞 篇18

各位遊客大家好!

今天我們將去參觀陝西西安城牆、鐘樓和鼓樓。很榮幸能爲大家服務。

我們現在看到的這座古城堡就是明陝西西安城牆,是明初在唐長安皇城的基礎上建築起來的。它是我國中世紀後期歷史上最著名的城垣之一,是世界上現存規模最大、最完整的古代軍事城堡防禦設施。

陝西西安作爲千年古都,歷代曾多次修築城牆。它們多數被歷史的塵埃掩埋。我們現在看到的城牆可追溯到隋代。公元1369年,明王朝大將徐達從山西進入陝西,將原來的奉天路改爲西安,意爲"西方長治久安"。拉開了明在西安修築城牆的序幕。歷時8年修築完的城牆外形是一座長方形。城牆高15米,頂寬12—14米,底寬16—18米,周長13.9公里。最底層用黃土與石灰、糯米汁拌合而成,乾燥之後,異常堅固。

陝西西安古城牆包括護城河、吊橋、閘樓、箭樓、正樓、角樓、敵樓、女兒牆、垛口等一系列軍事設施。好了,現在讓我們親自來感受這座科學、嚴密、完整的軍事防禦體系。

城牆最外圍是護城河,也叫" 城壕", 是城牆的第一道防線。它可以阻滯敵人進攻, 甚至可以利用有利地形把敵人趁機消滅。環繞陝西西安城牆的護城河寬20米,跨過護城河就是城門,而連接護城河與城門的唯一通道就是吊橋。平時,守城士兵聽從晨鐘暮鼓的指揮,早晨降下吊橋,開啓城門;晚上升起吊橋,斷絕交通。一旦發生戰爭,吊橋升起,城門緊閉,城門就成爲堅固封閉的戰鬥堡壘。

城門是城防體系的重點,也是薄弱點。平時,它是出入城市的通道。戰爭時,又是攻守雙方爭奪的首要目標。因此,明代十分重視完善城門防禦設施。尤其值得注意的一大技術突破是採用了券拱式城門,以防止敵人火攻。明陝西西安城的城門非常堅固,門扇用厚達16釐米的木板製成,一扇城門用木材2.8立方米,門扇上下橫匝着鐵條加固,每兩道鐵條的間隔處,釘有180枚鐵蘑菇針。整個門扇上共有1800枚鐵蘑菇針。這樣就擠密了門扇的木材,增加了門扇剛度,使箭矢無法射入。

西安鐘樓介紹導遊詞4

到陝西西安遊覽時,您一定想去看看大雁塔二這座唐代古塔是古城西安的獨特標誌,古人曾留下“驅山晚照光明顯,雁塔晨鐘在城南”的詩句。作爲關中八景之一的大雁塔高高聳立在陝西西安市南郊慈恩寺內,距市中心約4公里,是我國的佛教名塔之一。

大雁塔前身是著名的慈恩寺。慈恩寺初名無漏寺,到了唐貞觀二十二年(公元648年)高宗李治做太子時,爲追念死去的母親長孫皇后的恩德,下令在長安晉昌坊建造寺院,敕賜“慈恩”。它北面正對大明宮含元殿,佔地26570平方米,周邊風景優美,爲唐都長安最宏偉、最壯觀之佛教寺院。下面,請大家隨我一起走進慈恩寺和大雁塔遊覽一番。

各位遊客,慈恩寺是皇家主持建造的寺院,具有其他寺院望塵莫及的顯赫地位和宏大規模。這座寺院當年由13座庭院組成,面積達34o畝,是現在寺院面積的7倍。其建築富麗堂皇,裝飾華麗富貴。慈恩寺現有面積32314平方米,約合48.5畝。

我們先來看寺院山門前這對威武的石獅子。說來也怪,一般外域傳入我國的東西,總是先傳入實物,而後纔有根據實物創作的藝術品。而獅子落戶我國,卻例外地先傳人獅子石刻藝術品,而後纔有真獅子的出現。大家知道獅子是在東漢年間由波斯引入我國的,石獅子則是與佛教同時在兩漢之際已自印度傳入我國。獅子有護法避邪的作用,佛教認爲“佛爲人中獅子”,所以佛臺前常刻有獅子,稱護法獅子。慈恩寺大門口,有4尊石獅對稱地雄踞左右,裏邊靠近大門的兩尊,不清楚雕造於何年何時。東側是雄獅,在戲弄腳下繡球。西側是雌獅,腳邊有一對小獅,稱爲母子獅。看來這些獅子也按照人們的習慣,以男左女右的序列擺放了。靠外邊的兩尊獅子,東側一尊是清乾隆五十年(公元1785年)雕造,西側一尊是民國19年(公元1930年)雕造。這兩對石獅高度在1.7米以上,每尊重量至少也在250公斤以上。奇怪的是這兩尊八面威風石制實心的龐然大物,即使用手輕輕地拍打,也會發出似銅非鋼的金屬聲,清脆悅耳,十分動聽。各位遊客,您能猜出這是什麼原因嗎?

走進寺院是兩座小樓,東邊是鐘樓,裏邊懸掛有明代嘉靖年間鑄造的一口鐵鐘,重15噸。西邊是鼓樓,樓裏存有一面大鼓。長久以來,人們都把“雁塔晨鐘’作爲關中八景之一,廣爲流傳。但以往人們都以爲“雁塔晨鐘”是指陝西西安小雁塔的鐘,其實此景指的是大雁塔,因爲大雁塔這口鐘重3萬斤,是在大慈恩寺內於明嘉靖二十七年(公元1548年)十月鑄造的,比小雁塔那口鐘搬入寺內的時間早100多年,上面還鑄有“雁塔晨鐘”銘文。

衆所周知,一般寺廟都有大雄寶殿,慈恩寺也一樣。它的大雄寶殿位於寺院中心高臺上,初建於明天順二年(公元1458年)至成化二年(公元1466年),清光緒十三年(公元1887年)曾予大修。大殿上面三座塑像是釋迎牟尼三身像。中間的叫法身像,西邊的叫報身像,東邊的叫應身像。釋迎牟尼爲佛教始祖,原是古印度迎毗羅衛國的王子,生於公元前565年,死於公元前486年,大約與孔子同時代。三身佛東側立有釋迦牟尼的十大弟子之一迎葉;西側立有其堂弟阿難,他待從釋迦牟尼25年,也是十大弟子之一。兩側是十八羅漢和玄奘塑像。

大雄寶殿後是藏經樓,存有《藏文大藏經》等重要經典。樓下是講堂,爲佛教徒講經說法之處,供奉阿彌陀佛銅像一尊,高1米多。殿內珍藏玄奘親手供奉的佛座一件,還有唐代青響石四大天王像座一塊。此石爲藍田玉山所產青石,敲之鏘鏘有聲,清脆悅耳。

各位遊客,我們走出藏經樓,就能看到壯觀雄偉的大雁塔。看到這座唐代建築,你們一定會又感嘆又好奇吧?首先一個問題就是此塔爲何要以大雁命名呢?

按照印度佛教傳說,當初佛教有大乘與小乘兩派,小乘佛教不忌葷腥。有一天,正是菩薩佈施日,一座小乘寺院的和尚卻買不到肉下飯。這時天空中一羣大雁飛過,一個和尚望着雁羣自言自語:“今日增房無肉吃,大慈大悲的菩薩一定不會忘記這是什麼日子。”話音未落,領頭的大雁便折翅墜地。於是全寺和尚大驚失色,認爲這定是菩薩顯靈。他們就在大雁墜地處建造石塔,並戒絕葷腥,改信大乘佛教。因此,佛塔又稱大雁塔。

到了大雁塔,人們自然會想起唐代名僧玄奘,他是慈恩寺內的第一任住持方丈。相傳唐永徽三年(公元652年),著名高僧玄奘大師爲安置他從西域帶回來的經書、佛像、舍利,奏請高宗允許,在慈恩寺西院,敕建了大雁塔。當年三月動工,玄奘親自監造,一年建成。

各位遊客,大家一定看過中國四大名著之一的.《西遊記》及據此改編的同名電視連續劇,那麼《西遊記》裏的唐僧是否就是唐代這位著名和尚玄奘呢?玄奘法師俗姓陳,13歲在洛陽出家爲增,勤奮好學,在國內各地訪師問學後,決意到佛教發源地印度去探索佛教的精蘊。玄奘於唐貞觀三年(公元629年)從長安出發,沿着絲綢之路,穿越上天飛鳥、下無走獸的戈壁沙漠,西行直至天竺,貞觀十九年(公元645年)學成後返回長安,歷時17年,行程5萬公里,經100多個國家和地區,取回佛經657部,並在印度獲得極高地位,備受尊崇。回國後,在唐皇室的支持下,他集中各地博學高僧,組成規模空前的佛經譯物場,並親自任譯主。翻譯的佛經無論從質量或數量上都遠遠超過前人,開創了我國翻譯史上的新時期,共譯著佛經75部1335卷,撰寫了《大唐西域記》,受到各國學者的重視。應該說《西遊記》是以唐代玄類西出取經爲背景而寫成的,但故事裏的唐僧不全指玄奘,而是一個經過藝術化的文學作品裏的人物。

各位遊客,大雁塔在建時高60米,5層,磚表土心,光盤梯。後塔心磚縫草木叢生,漸趨頹廢。經武則天長安年間、唐玄宗天寶年間、後唐長興年間幾次改造,大雁塔比原先長高了4.5米,還加了兩層。底層每邊長25米,基座爲方形,邊長45米至48米,每層四面均有券門,塔內裝有樓梯。塔底層門楣上均有精美的線刻佛像,尤其是西門楣的釋迦牟尼佛說法圖,上刻當時廢殿建築的寫真圖,傳爲唐代大畫家閻立本的手筆,是研究後代佛教文化和建築藝術的珍貴資料。塔南門東西兩側的磚龕內鑲嵌有唐太宗李世民撰的《大唐三藏聖教序》碑和唐高宗李治撰的《大唐三藏聖教序記》碑。兩碑都是唐代著名書法家褚遂良書寫,爲唐代碑刻中的精品,是受國家保護的珍貴書法原刻,是研究古代書法藝術的重要實物資料。完全可以這樣說,這座仿木結構的樓閣式方形磚塔,造型簡潔,氣勢雄偉,有顯著的民族特色和時代風格,是我國佛教建築中的傑作。

遊客們,大雁塔自建成至今,歷代名人都留下了傳誦千古的佳句。杜甫有‘高標跨蒼穹,烈風無時休”的讚語,岑參有“塔勢如涌出,孤高聳天宮;登臨出世界,蹬道盤虛空”的名句。詩人氣勢磅礴的描寫與富於哲理的感嘆,常常在人們登塔時引起共鳴。

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